Co-directed with precision by Christina A. Coakley and Susan Marie Rhea, Keegan’s PARADE keeps the staging simple and imaginative, cutting away clutter and using only the barest of props and scenic elements to help the story unfold. Keegan Theatre’s production deserves to be seen and heard – just like the story of Mary Phagan and Leo Frank deserves to live on, more than 100 years after the original incidents.
The Keegan Theatre’s current production of Parade is a wholly transformative piece of theater that made me not only forgot myself but my surroundings. I don’t like to throw the word flawless around but this production was exactly that. And with the heavy themes of racism and hatred that are all too relatable today, the message of the show hits painfully close to home.
An intriguing musical piece of consequential historical value, Keegan Theatre’s production of the Award-winning musical PARADE is unapologetically dark and honest. Based on actual events, the musical follows the struggles of Leo Frank (played by Michael Innocenti), a Jewish factory superintendent who was convicted of a crime he did not commit, and his relationship with his wife Lucille Frank (played by Eleanor J. Todd). Directed by Christina A. Coakley and Susan Marie Rhea for Keegan Theatre’s 20th anniversary season, The Keegan Theatre’s riveting Parade is a production that should not be missed.
The Keegan Theatre presents PARADE, the Tony Award-winning musical by acclaimed playwright Alfred Uhry and composer Jason Robert Brown about a miscarriage of justice in early 20th-century Georgia, when a Jewish outsider was wrongly accused of murder.
Keegan Theatre has always done plays for adults, often showcasing Irish writers and themes. Now it’s launching a youth program whose three-part title, PLAY-RAH-KA, also has Gaelic roots: (a) revelry, (b) boisterous merrymaking and (c) a party you don’t want to miss. Besides classes and camps, Keegan will stage professional shows for young audiences.
Hamlette is a family-friendly take on what has become one of the most frequently interpreted plays by the Bard. It has a little something for everyone, giving us an idea of the characters as they were originally imagined while connecting the stories to the present day.
Does the curse of the Scottish play still apply when the play is stylized “Mack (comma) Beth”? If the audience’s reception is any indication, I would say no. Keegan Theatre has shown once again its talent for bringing together meaningful works of storytelling and exceptional artistic talent.