A bittersweet story about family dynamics. A slew of wild fables about a witch, a human cannonball, and more. The two narrative modes are sides of a single coin in “Big Fish,” a musical about a son’s relationship with his charming, infuriating fabulist of a father. Whether you consider the coin a matter-of-fact dime or a doubloon from a dragon’s hoard, it has been a good investment for the Keegan Theatre.
Sometimes tall tales are the ones we need to hear the most. Look no further than the musical fantasy “Big Fish,” which makes its Washington D.C. premiere at the newly-renovated Keegan Theatre in Dupont Circle now through Sept. 2.
THEATER The DC premiere of Big Fish opens at the Keegan Theatre. Big Fish is based on Daniel Wallace‘s novel and Tim Burton‘s film; the musical tells of a traveling salesman whose son wants to get to the bottom of his larger-than-life tales. $45-$55, through September 2.
When Tim Burton’s “Big Fish” was released, songwriter Andrew Lippa was so moved by the movie that he immediately wanted to turn it into a musical. Ten years later, in 2013, his wish came true when the show he wrote with the original screenwriter, John August, opened on Broadway. After a modestly successful run there, the musical has enjoyed a second life in regional theaters, and it will finally have its D.C. premiere when it opens Saturday at the Keegan Theatre.
The Keegan Theatre is proud to announce the appointment of two longtime Keegan associates to new leadership positions: Susan Marie Rhea has been named the company’s new Artistic Director and Alexis J. Hartwick has been named the new Director of Education and Administration.
Marie Byrd Sproul’s directing debut at The Keegan Theatre deals in some of life’s darker moments with clarity and authenticity. WHEN WE WERE YOUNG AND UNAFRAID will leave you with no shortage of things to talk about, from intriguing performances to topical themes.
From Sarah Treem, the woman who brought you the incredibly nuanced and stimulating play “The How and The Why” comes another incredibly stimulating and nuanced play, “When We Were Young and Unafraid.” Directed by Marie Byrd Sproul, this play takes women’s rights and looks at it from every corner, leaving no stone unturned.