Category Archive for: Reviews

Metro Weekly: CHICAGO

Somewhere inside Roxie Hart’s first number [of The Keegan Theatre’s new production of Chicago], “Funny Honey,” during which the brazen, fame-craving floozy introduces her sorry sap of a husband Amos, it dawns that this Roxie is bananas. Portrayed by Maria Rizzo with a bold mix of moxie and murderous rage, she’s Roxie unhinged. And she

The Washington Post: CHICAGO

If there’s a bulletproof musical, “Chicago” is it. The John Kander-Fred Ebb-Bob Fosse masterpiece has been on Broadway and the road so long you don’t expect to encounter anything but that slinky version that’s been part of the entertainment landscape since the last century, but the Dupont Circle troupe Keegan Theatre has opened a production

BroadwayWorld: UNNECESSARY FARCE

The Keegan Theatre’s UNNECESSARY FARCE is the comedy we all need in these troubling times. Written by Paul Slade Smith and adroitly directed by Ray Ficca, this D.C. premiere will make you really, truly, laugh. Noah Schaefer as cop Eric opens the show with skillful physical comedy. Eric and Billie (Jenna Lawrence), two inexperienced cops, are tasked with manning

MD Theatre Guide: UNNECESSARY FARCE

Part traditional and part bedroom farce, with an appropriately absurd plot that you feel compelled to see through to the end despite the high frequency of groan-worthy jokes, Unnecessary Farce is a well received and a timely poke at all things sly and silly. The play starts as a police stakeout, trying to nap a crooked mayor

DC Metro Theater Arts: UNNECESSARY FARCE

With one two-act-long scene, eight loudly slamming doors, and countless head-over-heels tumbles, Unnecessary Farce by Paul Slade Smith makes its hilarious D.C. premiere at the Keegan Theatre. Directed by Ray Ficca, this true-to-style farce tails two stumbling undercover cops in their attempts to expose an embezzling mayor and in the process crashes headlong into a mafia ring, a

DC Theatre Scene: UNNECESSARY FARCE

The performers make the most of it. The characters who are supposed to engage our sympathy — [Noah] Schaefer as Eric and [Jenna] Lawrence as Billie — eventually do so, notwithstanding that their characters appear to have the IQs of toasters. (Lawrence does an outstanding bit where she rapidly translates the hit man’s incomprehensible Scottish

BroadwayWorld: AN IRISH CAROL

It’s not exactly clear what fluids sustained the original Ebenezer Scrooge on his late-night tour, but Dublin native Matthew J. Keenan is pretty darned sure what would fuel the old cuss in Ireland today. The beers and the Jamesons flow like water in his seasonal offering, An Irish Carol, a hardened, touching, hilarious tour of a

DC Theatre Scene: AN IRISH CAROL

An Irish Carol does a fine job capturing the spirit and message of Charles Dickens’ classic holiday tale in an evening spent in an Irish pub. No small feat. The play, courtesy of author Matthew J. Keenan, is not a direct retelling of A Christmas Carol (and that’s a good thing, as the stage has no shortage of

MD Theatre Guide: AN IRISH CAROL

If you need tidings of comfort and joy, look no further than the Keegan Theatre’s seventh annual production of An Irish Carol. This is the second year in a row that this reviewer has had the pleasure of seeing this irreverent and heart-warming gem, and I can say that it only improves upon further acquaintance.

DC Metro Theater Arts: AN IRISH CAROL

Now in its seventh year, the Keegan Theatre’s annual production of Matthew J. Keenan’s An Irish Carol has become a favorite Washington DC holiday tradition. It’s easy to see why. A quintessentially Irish take on Dickens’ classic, A Christmas Carol, Keenan’s play offers a holiday-perfect tale of redemption and the power of love. All joie de vivre seems to have been



Current Productions

Learn about the productions that are currently playing and coming up next at Keegan.

Keegan PLAY-RAH-KA

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