Near the end of What We’re Up Against, Theresa Rebeck’s incisive comedy about workplace sexism—just opened in a kick-ass production at The Keegan Theatre—a question is posed by Eliza, a very talented architect whom we’ve been watching be screwed by prick power in the office:
They said it wasn’t like this anymore. Why is it still like this?
That sobering question comes after scenes full of some of the funniest, sharpest-edge scripting, directing, and acting you’re likely to see in DC.
