What happens when forgiveness collides with deeply buried grief? Acclaimed playwright Chelsea Marcantel offers a moving, thought-provoking exploration of reconciliation, faith, and family. After a tragic accident, a young woman returns to her Amish roots to confront the life — and the people — she left behind. As wounds reopen and secrets surface, the boundaries between forgiveness and forgetting are tested. Don’t miss this intimate and powerful drama that the New York Times called “stirring and beautifully told.”
Thursdays-Saturdays at 8:00 pm
Sundays at 3:00 pm
Select Mondays and Wednesdays at 8:00 pm
$55 Adult
$44 Seniors 62+
$44 Students/under 25
Single tickets incur $5 service fee per ticket
SEASON SUBSCRIPTION: 30% discount and no service fees when you build a package with Adult tickets for 5+ mainstage shows before August 31!
FLEX PASS: Get a 5-ticket Flex Pass for just $250 and no service fees when you buy before August 31! Choose your show dates and seats later – use tickets however you like, for one show or five!
GROUP SALES: $10 off per ticket and no service fees when you buy 10+ tickets to a single performance.
RUSH TICKETS: On sale at the door, when available, starting 1 hour before showtime.
TBA
September 17, 2025 | 8:00 pm
Discounted $20 tickets are available for the September 17 performance to current students with a valid student ID (to be checked at the door) — just use promo code 29STUDENT at checkout.
September 21, 2025 | 2:30-6:30 pm
Parents can join us for the matinee performance and register their Pre-K to 5th grade children for onsite child care with Keegan PLAY-RAH-KA Teaching Artists during the show. (Limited capacity and all children must be registered in advance. Show ticket sold separately.)
September 21, 2025 | Following the matinee performance
Free and open to all patrons!
October 3, 2025 | Happy Hour @ 7:00 pm, Show @ 8:00 pm
Patrons under 30 years old are invited to purchase discounted tickets, which include 1 drink coupon, exclusive access to our mezzanine for mingling, and a seat for the evening’s performance.
Ben Clark he/him (Abram) Previous shows include: Barrington Stage Company/Roundhouse Theatre: Next to Normal (Henry); Toby’s Dinner Theatre: Jersey Boys (Bob Gaudio); The Keegan Theatre: Elegies: A Song Cycle (Ensemble/Swing), Falsettos (Swing); Olney Theatre Center/Everyman Theatre: The World Goes Round (Swing).
Max Johnson he/him (Eric) Previous shows include Bluff City Theatre: Butterflies are Free (Don), Theatre Prometheus/Nu Sass Productions: The Pliant Girls (Dean), 1st Stage: The Waverly Gallery (u/s), Faction of Fools: A Commedia Romeo and Juliet (Romeo), Edge of The Universe Theatre: The Caretaker (Mick), Rorschach Theatre: Angel Number Nine (Billy), Imagination Stage: Inside Out and Backwards (Brother), Spies 2 (Sneak), Olney Theater National Players: Midsummer Night's Dream (Bottom) and A Raisin in the Sun (Lindner), Immediate Theater Project Touring Production: WVL Radio Presents It’s a Wonderful Life, Iron Crow Theatre: Mankind (Mark.)
Michael McGovern he/him (Jacob) Previous shows include: Workhouse Arts Center: Hunchback of Notre Dame (Frollo); Encore Theater Company: Next to Normal (Dr. Fine/Dr. Madden); Little Theatre of Alexandria: Jekyll & Hyde (Dr. Jekyll/Edward Hyde), Annie (Daddy Warbucks), Much Ado... (Don Pedro); The Arlington Players: Into the Woods (Wolf/Cinderella’s Prince); Silver Spring Stage: Assassins (Leon Czolgosz); GMCW: Working (Waitress/Flight Attendant), Unbreakable (Man 2), How to Succeed... (Krumholtz/Ensemble). BFA Musical Theater (Univ. Michigan).
Leah Packer she/her (Miri) is thrilled to be making her Keegan debut! Previous shows include: Washington Stage Guild: Shaw’s Shorts; Smithsonian Discovery Theatre: Mother Earth & Me; PG County Shakespeare in the Parks: The Comedy of Errors; InterACT Story Theatre: Monsters of Seahorse Island; Capital Fringe Festival: Wannabe (Winner-Best of Fest 2024); Adventure Theatre MTC: The Fisherman & His Wife. Proud graduate of University of Maryland-College Park. Current member of the AJT (Alliance for Jewish Theatre). Always for Poppy, the true “No.1 Actor,” music man, and dreamer of impossible dreams. Forever and ever. Website: www.leahpacker.com, Instagram: @leahpacker._
Susan Marie Rhea (Esther) is the Artistic Director of The Keegan Theatre. Her acting credits at Keegan include Dotty in Noises Off, Tracey in Sweat, Louise in The Outsider (Helen Hayes Award — Outstanding Lead Performer), Margaret in Good People, Annette in God of Carnage, Rosemary in Outside Mullingar, Ouisa in Six Degrees of Separation, Lyssa in An American Daughter (Helen Hayes nomination — Lead Actress in a Play), Becca in Rabbit Hole (Broadway World — Best Actress in a Play), Barbara in August: Osage County, Valerie in The Weir, Maggie in Dancing at Lughnasa, Maire in Translations, Stella in A Streetcar Named Desire (Ireland/U.S.), and Maggie in Cat on a Hot Tin Roof (Ireland/U.S.), among others. During her tenure at Keegan, Susan has directed or co-directed more than 21 productions and received 6 Helen Hayes nominations and 1 award. She received her post-graduate acting training at Circle in the Square (NY/NY).
Sasha Rosenbaum she/her (Ruth) is delighted to make her Keegan debut! Previous shows include: Riverside Center for the Performing Arts: Next to Normal (u/s Natalie), Beautiful: The Carole King Musical (Betty/Marilyn Wald; u/s Carole King, Cynthia Weil). Other credits: Carrie the Musical (Chris Hargensen) and Sunday in the Park with George (Louise). Sasha is a D.C. native, and received her BFA in Music Theatre from Illinois Wesleyan University. Thank you to the creative team for this amazing opportunity, and to her family and friends for their support. www.sasha-rosenbaum.com
Adian Chapman he/him (Jacob & Eric Understudy) is ecstatic to make his Keegan debut. His most recent projects are Next to Normal (Dr. Madden, Dr. Fine) at Riverside Center for the Performing Arts, Jesus Christ Superstar (Jesus, Judas U/S) at Workhouse Arts Center, Seussical (Horton the Elephant) at Riverside Center for the Performing Arts, The Shawshank Redemption (Hadley) at Nextstop Theatre, and Head Over Heels (Basilius) at Maryland Ensemble Theatre.
Mollie Greenberg she/her (Miri & Ruth Understudy). Keegan theatre debut! Previous shows include: Rorschach Theatre: The Figs (Storyteller), Night of the Living Dead LIVE (Barbra); Adventure Theatre: Knuffle Bunny (Swing/Trixie U/S); Theatre Prometheus: The Pliant Girls (Leta); Studio Theatre: John Proctor is the Villain (Beth/Raelynn U/S); InterAct Story Theatre: The Hero of Everything (Grammar Girl), The Legend of Pufferfish Pat (One-Eyed Jack); The Puppet Co, selected credits: Jennie the Cat: A Halloween Adventure (Jennie/co-creator), The Nutcracker (Clara), Hansel and Gretel (Gretel); Imagination Stage: Very Hungry Caterpillar (Puppeteer).
John Henry Stamper he/him (Abram U/S) Previous shows include: 54 Below: Tess, A New Musical (Angel Clare); Arizona Repertory Theater: Sweeney Todd (Anthony) and The Thanksgiving Play (Caden).
Martina Schabron (Esther u/s) Previous shows include: The Chad Cooper Company: Justice On Trial (Debbie, Off-Broadway Tour), Toronto Irish Players: The Unmanageable Sisters (Rose O'Brien), Toronto Irish Players: The Hen Night Epiphany (Kelly), Netflix/Fever: Stranger Things: The Experience (Dr. Alex Mathers/Blake Collins/Fran), Theater Einhorn Duebendorf, Switzerland: Death at a Funeral (Justine), Solo Show: Just a Giant Cinderella (Self), and more. Her most recent on camera credits include: Invited (Linda) (105films, feature film), Natural Selection (Edith) and Leica (Frau Sommer), as well as a number of national commercials. Martina is a multilingual, DMV- and NYC-based actor and writer, and very excited to be making her DC theatre debut at Keegan Theatre. IG: @martinaschabron
Josh Sticklin (Director & Scenic Designer; Artistic Director of The Boiler Room Series; Associate Producer, Technical Director, Facilities Manager of The Keegan Theatre) is a true multi-hyphenate theater maker and brings that perspective to his work on all fronts. As a director, his credits include WOMAN IN BLACK, HAND TO GOD, GOOD PEOPLE, AS YOU LIKE IT, SHE SINGS LIGHT, CHILDREN OF EDEN, and CURTAINS. As a choreographer, his credits include CHESS, JESUS CHRIST SUPERSTAR, BALTIMORE WALTZ, and CAROUSEL. As a designer, his credits include SAN GIOVANNI BATTISTA (Set), SEUSSICAL (Set - Helen Hayes Award Winner for Outstanding Set Design), JUNIE B. JONES (Set), YOU’RE A GOOD MAN, CHARLIE BROWN (Set), and OTHER LIFE FORMS (Props). As an artisan/engineer he has designed notable scenic elements in LONESOME WEST, SIX DEGREES OF SEPARATION, RIPCORD, TOP GIRLS, BRIDGES OF MADISON COUNTY, SHAKESPEARE IN LOVE, and THE UNDENIABLE SOUND OF RIGHT NOW. As an actor, Sticklin has performed in 22 productions at Keegan including HAIR, A MIDSUMMER NIGHT’S RIOT, CUCHULLAIN, BASRA BOY, STONES IN HIS POCKETS, and AMERICAN IDIOT. He also serves as Associate Producer, Technical Director, and Facilities Manager. His leadership on energy efficiency and production quality has resulted in over $500k in upgrades for tech and the physical infrastructure. Josh is a proud member of the Stage Directors and Choreographer Society and holds a dual Bachelor’s degree in Musical Theatre and Political Science from American University.
Jared H. Graham he/him (Assistant Director) is a DMV based performer, educator, administrator, and director. Jared holds an MFA in Physical Theatre from the Accademia dell’ Arte in Arezzo, Italy and a BFA in Theatre Performance from the University of Memphis. He is the Director of Production and Education for the Keegan Theatre and has appeared on several local stages. Previous credits in the DMV area include Keegan Theatre: Noises Off, N, An Irish Carol; NextStop Theatre: Frankenstein; Solas Nua: The Honey Trap; 4615 Theatre: Macbeth, Dinner, Betrayal; Adventure Theatre: The Fisherman and his Wife; PG County’s Shakespeare in the Park: Macbeth, Much Ado About Nothing; Chesapeake Shakespeare: Macbeth, Romeo & Juliet; Olney Theatre Center/ National Players: Othello, The Great Gatsby, Alice in Wonderland; Brave Spirits: As You Like It, The Changeling, The Duchess of Malfi; Rainbow Theatre Project: Blue Camp; Spooky Action: Sonnets for an Old Century, The Lady from the Village of Falling Flowers; and The Team Room Foundation: The Team Room.
Sierra Young she/her (Fight & Intimacy Director) is a Helen Hayes nominated violence & intimacy director working in the DC/Baltimore area. Sierra is the Resident Fight and Intimacy Director for Baltimore Center Stage and Mosaic Theater Company in DC. She is an active member of the SAFD, IDC, and SDC. Past Keegan credits include: Apropos of Nothing, Hand to God, Merrily We Roll Along, and Sweat. Recent choreography credits include: The Age of Innocence, Ja Ja’s African Hair Braiding and POTUS! at Arena Stage; Twelfth Night at The Folger; Sister Act and Little Shop of Horrors at Ford’s Theater; Cullud Wattah, Confederates, One in Two, the Till Trilogy et. al. at Mosaic Theater; Paradise Blue, The Scenarios, Downstate, and The Colored Museum at Studio Theater; Frankenstein, King Lear (Helen Hayes nomination) and Red Velvet at The Shakespeare Theater Company; Porgy and Bess at The Washington National Opera. Website: sierrayoung.org
Katrina Heil she/her (Dramaturg) Previous work includes: Keegan Theatre: Artistic Administration Intern; Kennedy Center: Social Impact Intern; La Jolla Playhouse: Artistic Intern; Old Globe Theatre: Philanthropy Intern, Interim Donor Stewardship Coordinator. Theatre and Political Science Student at George Washington University.
Hailey LaRoe she/her (Lighting & Projections Designer) is a Lighting and Projection designer based in the DC area. Recent Lighting designs include: Apropos of Nothing (Keegan Theatre); Kiss of the Spider Woman, Botiquin de Bolaros, The 22+ Weddings of Hugo, Las Hermanas Palacios (Helen Hayes Award winner) (Gala Hispanic theatre); Fat Ham (American Stage); Cullud Wattah (Mosaic Theatre); Footloose, Native Gardens (NextStop Theatre); Little Comedies, The Tale of the Fisherman and the Golden Fish (Synetic Theatre); Human Museum (Rorschach Theatre). Recent Projection designs include: The Lightning Thief, Dragons Love Tacos, She Persisted (Helen Hayes Award nomination), Knuffle Bunny (Helen Hayes Award nomination) (Adventure Theatre); Ethiopia (the INSeries); American Fast, Poetry for the People (Theatre Allience). Enjoy the show! Haileylaroedesigns.com
Tony Angelini (Sound Designer) has been part of the Keegan family since 1997. Favorite shows include: Streetcar Named Desire, True West, All My Sons, The Woman in Black. Tony has designed over 285 shows in his career in theaters such as Barter Theatre, Kennedy Center, Signature Theatre, Ford’s Theatre, the Utah Shakespeare Festival, San Diego Rep, Shakespeare Theatre Company, Pacific Conservatory Theatre, and Florida Studio Theatre. In New York, he has worked with Hip Pocket Productions, Turtle She’ll Productions, O Productions, and The Manhattan Arts Institute. He worked as an instructor for The Pacific Conservatory Theatre, where he served as the theatre's sound director. He has mentored upcoming artists for most of his career, working with The University of Mary Washington, American University, and others. He is a published author, you can find his music via just about every platform, and he produces and hosts the podcast "The Creative Mindset."
Cindy Landrum Jacobs (Properties & Set Dressing Designer) loves working at The Keegan Theatre! Other Keegan credits: Apropos Of Nothing, Falsettos, Woman In Black, Noises Off, Webster’s Bitch, Merrily We Roll Along, Sweat, Seussical, The Wilting Point, Lifespan Of A Fact, Elegies, The Outsider, Shakespeare In Love, Yoga Play, TransAM, N, Airness, Legally Blonde, God Of Carnage, As You Like It, The Undeniable Sound Of Right Now, Chicago, An Irish Carol (2017-2024). Co-Scenic Designer: Webster’s Bitch. Other Properties Designer credits: The Waverly Gallery, The Last Match, How The Light Gets In, Columbinus, The Farnsworth Invention, Trevor, The Pitmen Painters, and Never The Sinner (1st Stage).
Paris Francesca she/her (Costume Designer) is a Costume Designer and Stylist in the Washington, DC area. Previous Keegan Theatre credits include Falsettos, The Woman in Black, and N. Additional DC credits include Step Afrika! Celebrating 30 Years at Strathmore (Step Afrika!), Charlotte’s Web (Adventure Theatre MTC), Petite Rouge: A Cajun Red Riding Hood (Helen Hayes nomination for Outstanding Costume Design, Imagination Stage), She Persisted (Helen Hayes nomination for Outstanding Costume Design, Adventure Theatre MTC), Junie B. Jones, The Musical (Adventure Theatre MTC), Step Afrika! 101 (Tour), The Lion, The Witch, and The Wardrobe (Adventure Theatre MTC), You’re A Good Man, Charlie Brown (Adventure Theatre MTC), Chemical Exile: Synthesis (Rorschach Theatre), Step Afrika! Magical Musical Holiday Show (Atlas Performing Arts Center), The Mountaintop (NextStop Theatre), and more. Paris holds a Bachelors in Technical Theatre Arts with a concentration in Costume Design from Hampton University and a Masters in The Business of Fashion from LIM College. @Pfrenchie
Zach Campion he/him (Dialect Coach) KEEGAN: Hand to God, Good People. DC AREA: Signature Theatre: Sweeney Todd, Pacific Overtures, Heisenberg, The Gulf; Arena Stage: Angels in America-Millennium Approaches, Right to Be Forgotten, Indecent, Sovereignty, The Price, Smart People; Studio Theatre: Hand to God, Vietgone, The Remains, Terminus; Olney Theatre Center: Cabaret, Matilda, Labour of Love, The Invisible Hand, Aubergine, Annie, My Fair Lady, Sweeney Todd; Round House Theatre: Jennifer Who is Leaving, The Legend of Georgia McBride, Angels in America; Ford's Theatre: The Wiz; Mosaic Theatre: Pilgrims Musa and Sheri in the New World; OTHER: Certified teacher of Fitzmaurice Voicework®; member of the Studio Acting Conservatory faculty. EDUCATION: MFA in Theatre Pedagogy from Virginia Commonwealth University, BFA in Performance and Production from Texas State University. voicecoachdc.com
Gabrielle Busch she/her (Production Manager) graduated from High Point University with a B.A. in performance theatre. While at High Point, Gabrielle was involved with stage managing, acting, and directing. Coming back to her hometown of D.C she has her sights set high on getting involved in the theatre community as much as she can. Some projects that she has worked on at Keegan include N (Stage Manager), Yoga Play (Stage Manager), Elegies: A Song Cycle (Stage Manager), The Lifespan of A Fact (Stage Manager), Shakespeare In Love (Stage Manager), Merrily We Roll Along (Stage Manager/Assistant Director), Noises Off (Stage Manager), Falsettos (Stage Manager), and Apropos of Nothing (Assistant Director).
Emilie Knudsen she/her (Stage Manager) is grateful to be back at Keegan for Everything is Wonderful! Her previous credits include Apropos of Nothing (Production Manager), Muffed (SM), An Irish Carol (SM), Noises Off (ASM, SM Sub), Merrily We Roll Along (ASM), The Nance (ASM), Postcards from Ihatov (ASM), The Lake Effect (SM Sub), Hang (SM Sub), The Piano Lesson (SM Sub), The Waverley Gallery (Crew Swing). She recently graduated from GMU with her MFA in Fiction Writing.
Anahita Sepehri she/her (Assistant Stage Manager) is an Iranian theatre artist excited to be making her Keegan Theatre debut. Her artistic practice is shaped by a deep curiosity about identity, silence, and the resilience of women, especially within diasporic narratives. Her credits include Andy Warhol in Iran at Mosaic Theatre; The Skin of Our Teeth, The Tempest, and Little Women at Seattle Repertory Theatre; The Comedy of Errors, Henry IV, and A Midsummer Night’s Dream at Seattle Shakespeare Company; My Name is Rachel Corrie and The Lower Depths at Intiman Theatre; Hello, Dolly! and Sense and Sensibility at Village Theatre; English at ArtsWest; and The Forgotten History of Mastaneh at Seda Iranian Ensemble. She is passionate about creating space for cultural nuance, vulnerability, and collective reflection. @anahita_sepehri
*The Director is a Member of the Stage Directors and Choreographers Society, a national theatrical labor union.