(she/her)
Graziella Jackson is the 2022-2023 Playwright-in-Residence with Keegan Theatre, where she is developing The Elements Plays, a four-play cycle about climate change. A native of the Washington, D.C. region, Graziella’s full-length plays also include After Eleven, produced in 2015 at the Capital Fringe Festival (D.C.), and Little Wars, produced in 2020 by Keegan Theatre’s Boiler Room Series. Her plays have been read and produced by Theater J, Source Festival, Rorschach Theatre, Word Dance Theatre, and The Playwright’s Forum in D.C. Her plays focus on intimate exploration of human relationships and social justice issues, ranging from gender equity to gun violence to climate justice. Also an experienced designer, Graziella has worked with nonprofit organizations including ASPCA, Brennan Center for Justice, Greenpeace, Facing History & Ourselves, and the National Education Association to connect communities, stories, and social and environmental action. She has an academic background in journalism (BA, George Mason University) and communication, culture, and technology (MA, Georgetown University), and studied at the Studio Theatre Acting Conservatory in D.C. Graziella is a member of the Dramatists Guild of America, a member of Leadership Greater Washington, and currently serves on the board of the Washington Improv Theater (WIT).
(she/her)
Boiler Room Series credits include: Air (director), Earth (Akari Sato), Enter Gretta (director), Marjorie is Dead (director) and Pigeon Trap (director). Other acting credits include: Imagination Stage: New Kid (Mother): Pointless Theatre Company: Rhinoceros! (Daisy): Constellation Theatre Company: Mysticism and Music (ensemble), The White Snake (Green Snake): Flying V Theatre: Crystal Creek Motel (ensemble).
(she/her)
Amina Dunn is excited to participate in the development of new work as a part of the Keegan Theatre's Boiler Room Series. Previous shows include: Port Tobacco Players: Hello Dolly! (Minnie Fay); Theater Emory: Ravished (Hermia); Theater Emory: As You Like It (Audrey); Sax Dinner Theater: Little Shop of Horrors (Ensemble). Amina has a B.A. in Theater Studies and Sociology from Emory University.
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Beverlix Jean-Baptiste is a graduate of the William Esper Studio. Partial stage, production, and film credits: Br’er Cotton (Nadine), Feeding a Monster (Veronica/Rhea understudy), FIGHT! (Hiari/Pastor Vela/Amy Ashwood), Conversation with a Kleagle (Lurinda), A Credit to His Race (Ethel Highwarden), Tellin’ Man (Wilhelmina), Life Without Parole (Steege/Shaeffer), Not My Flag (Teacher), and Periphery (Deidre). Beverlix splits her time between Los Angeles and New York, working in water conservation and as a producer, actor, and writer. Many thanks to all who attended this production.
(she/her)
Previous shows include: Olney Theatre Center: South Pacific (Bloody Mary); Arts Collective: Lion, the Witch, and the Wardrobe (Director); BSF: Knight of the Burning Pestle (Old Merrythought); FAM: fools and madmen, a hip hop adaptation of King Lear (Gloucester); Colonial Players: A New Brain (Homeless Lady); Cockpit In Court: Once on This Island (Mama Euralie); BTCT: Urinetown (Pennywise); Silhouette Stages: The Lightning Thief (Sally Jackson and others), Calendar Girls (Cora) [Leta Hall Outstanding Ensemble in a Play]; and DTC: Musical of Musicals, the Musical (Abby) [WATCH Award nomination for Outstanding Lead Actress in a Musical].
(he/him)
Wilmer Juárez is a Maya Mam Native American. Previous shows of his include: The National Conservatory of Dramatic Arts (NCDA): Constellations (Roland), Macbeth (Lady Macbeth), Oedipus Rex (Teiresias), and The Imaginary Autopsee (Arlecchino); special performance at the Museum of the American Indian: Popol Vuh (Hunahpú). Wilmer expresses his love and gratitude to his family and friends who have cheered on for him on his path to success; hasta la victoria siempre!
(she/her)
Favorite Theater credits include: Molotov Theatre: Extremities (Terry); SeeNoSun Onstage: Killer Joe (Dottie) and Bug (RC); Avant Bard: Othello (Bianca); Quotidian: Night Seasons (Rosa); Capital Fringe: Hatpin Panic (various); Silver Spring Stage: The Complete Works (Hamlet track). Television: House of Cards (Assistant to Claire Underwood). Film: Various shorts and full lengths.
(he/him)
Previous shows include: DIRECTING: Keegan Theatre: Boiler Room Series (BRS) Artistic Director, 10 BRS Workshop Readings, Good People, As You Like It, Six Degrees of Separation (AD), and The Lonesome West (AD); Theatre Lab: Curtains, Children of Eden, Jesus Christ Superstar (Choreographer), and Carousel (Choreographer); Capital Fringe: She Sings Light. ACTING: Keegan Theatre: Other Life Forms, The Undeniable Sound of Right Now, Stones in His Pockets, American Idiot, Hair, A Midsummer Night’s Riot, Cuchullain, Basra Boy, and many, many, more; Ford’s Theatre: The Guard; Hub Theatre: Big Love; Rorschach Theatre: The Minotaur, Kit Marlowe; force/collision ensemble: Nautical Yards; La Mama ETC: Shape; Singapore Repertory Theatre: Just a Dream; Volkov Theatre Russia: They Shoot Horses Don’t They. EDUCATION: American University, BA: Dual Degree in Political Science & Musical Theatre.
(they/she)
Previous shows include: Keegan Theatre: Womxn on Fire Festival; Pipeline Playwrights: Unprotected (Grace); Maryland Ensemble Theatre: Tomás and The Library Lady (Tomás); Classic Theatre of Maryland: A Christmas Carol (Fan/Belinda Cratchit); Atlas Performing Arts Center: Can I Save Me? (Adena/Deviser); The 4208 Group: Ten-Minute Taste Festival (Sketch A).
(she/her)
Graziella Jackson is the 2022-2023 Playwright-in-Residence with Keegan Theatre, where she is developing The Elements Plays, a four-play cycle about climate change. A native of the Washington, D.C. region, Graziella’s full-length plays also include After Eleven, produced in 2015 at the Capital Fringe Festival (D.C.), and Little Wars, produced in 2020 by Keegan Theatre’s Boiler Room Series. Her plays have been read and produced by Theater J, Source Festival, Rorschach Theatre, Word Dance Theatre, and The Playwright’s Forum in D.C. Her plays focus on intimate exploration of human relationships and social justice issues, ranging from gender equity to gun violence to climate justice. Also an experienced designer, Graziella has worked with nonprofit organizations including ASPCA, Brennan Center for Justice, Greenpeace, Facing History & Ourselves, and the National Education Association to connect communities, stories, and social and environmental action. She has an academic background in journalism (BA, George Mason University) and communication, culture, and technology (MA, Georgetown University), and studied at the Studio Theatre Acting Conservatory in D.C. Graziella is a member of the Dramatists Guild of America, a member of Leadership Greater Washington, and currently serves on the board of the Washington Improv Theater (WIT).
(he/him)
Previous shows include: DIRECTING: Keegan Theatre: Boiler Room Series (BRS) Artistic Director, 10 BRS Workshop Readings, Good People, As You Like It, Six Degrees of Separation (AD), and The Lonesome West (AD); Theatre Lab: Curtains, Children of Eden, Jesus Christ Superstar (Choreographer), and Carousel (Choreographer); Capital Fringe: She Sings Light. ACTING: Keegan Theatre: Other Life Forms, The Undeniable Sound of Right Now, Stones in His Pockets, American Idiot, Hair, A Midsummer Night’s Riot, Cuchullain, Basra Boy, and many, many, more; Ford’s Theatre: The Guard; Hub Theatre: Big Love; Rorschach Theatre: The Minotaur, Kit Marlowe; force/collision ensemble: Nautical Yards; La Mama ETC: Shape; Singapore Repertory Theatre: Just a Dream; Volkov Theatre Russia: They Shoot Horses Don’t They. EDUCATION: American University, BA: Dual Degree in Political Science & Musical Theatre.
(she/her)
Previous shows include: Cogent Theater Collective: Closer, (Assistant Director/Stage Manager); Silver Spring Stage: Ada and the Engine (Stage Manager); Rockville Little Theater: Radium Girls (Assistant Director/Stage Manager); Silver Spring Stage: Intimate Apparel (Stage Manager/Sound/Projections).
(she/her)
Beverlix Jean-Baptiste is a graduate of the William Esper Studio. Partial stage, production, and film credits: Br’er Cotton (Nadine), Feeding a Monster (Veronica/Rhea understudy), FIGHT! (Hiari/Pastor Vela/Amy Ashwood), Conversation with a Kleagle (Lurinda), A Credit to His Race (Ethel Highwarden), Tellin’ Man (Wilhelmina), Life Without Parole (Steege/Shaeffer), Not My Flag (Teacher), and Periphery (Deidre). Beverlix splits her time between Los Angeles and New York, working in water conservation and as a producer, actor, and writer. Many thanks to all who attended this production.
(they/she)
Previous shows include: Keegan Theatre: Womxn on Fire Festival; Pipeline Playwrights: Unprotected (Grace); Maryland Ensemble Theatre: Tomás and The Library Lady (Tomás); Classic Theatre of Maryland: A Christmas Carol (Fan/Belinda Cratchit); Atlas Performing Arts Center: Can I Save Me? (Adena/Deviser); The 4208 Group: Ten-Minute Taste Festival (Sketch A).
(she/her)
Favorite roles include: Zemfira Stage: Annie (Miss Hannigan); Castaways Repertory Theatre: South Pacific (Bloody Mary), Hello Dolly (Irene Molloy); Chalice Theatre: Alix in Wonderland (Queen of Hearts). Recent roles include Silhouette Stages: Cinderella (Ensemble); The Little Theatre of Alexandria: Bright Star (Ensemble). Thank you to Danielle and the entire team at Keegan for this experience. Love to Kieth and Melody. For my Dad who always asks me to play the piano.
(she/her)
Boiler Room Series credits include: Air (director), Earth (Akari Sato), Enter Gretta (director), Marjorie is Dead (director) and Pigeon Trap (director). Other acting credits include: Imagination Stage: New Kid (Mother): Pointless Theatre Company: Rhinoceros! (Daisy): Constellation Theatre Company: Mysticism and Music (ensemble), The White Snake (Green Snake): Flying V Theatre: Crystal Creek Motel (ensemble).
(she/her)
Karina holds a first-class BA Honors Degree in Acting for Theatre from Bath SPA – School of Performing Arts, in her homeland of Great Britain. She is the Director of Theatrical Arts and Performing Arts Chair at Landon School in Bethesda, MD. Karina's local theatre credits include: Synetic Theater: Cinderella (Fairy Godmother), Treasure Island (Trelawney); Keegan Theatre Company: Top Girls (Marlene); Theater Alliance: Wonderful World of Dissocia (Lisa, Helen Hayes Nomination - Outstanding Lead Actress & Ensemble in a Play); Constellation Theatre Company: Equus (Nurse/Hesther u/s, Helen Hayes Nomination - Outstanding Play); Shakespeare Theatre Company: Tartuffe (Dorine u/s); Chesapeake Shakespeare: Richard II (Duchess of York); Pinky Swear Productions: Benched (Timby); LiveArtDC: Drunkle Vanya (Vanya). International credits include: Bristol Old Vic: Heresies (Leah); Theatre Royal: No Blind Faith (Emma); Full Tilt Theatre: Anna Christie (Anna); Hammerpuzzle Theatre Company: Agamemnon (Clytemnestra). Karina was crowned Monologue Madness Champion 2013. www.karinahilleard.com Karinafaye@Insta
(he/him)
Previous shows include: Keegan Theatre: Parade (Dorsey), A Few Good Men (Ensemble (US), Ross (Ireland Tour)), The Full Monty (Keno), Man of La Mancha (Lead Muleteer), 1776 (Jefferson); Rorschach Theatre: Distance Frequencies (JJ), Very Still and Hard to See (Franklin/Jasper); Avant Bard: Friendship Betrayed (Liseo), Madwoman of Chaillot (Ragpicker), Gnadiges Fraulein (Injun Joe), Lulu (Schwarz, Jack), Small Craft Warnings (Bill); NextStop Theatre: Fallen Angels (Willie), Shrek TYA (Shrek), The Wedding Singer (Glen), Much Ado About Nothing (Don Pedro), Deathtrap (Clifford), The 39 Steps (Hannay).
(she/they)
Rocheny Princien is a Drag Artist, Playwright, Director, and a Helen Hayes nominated actor for their role in The Events (Theater Alliance). The last shows you could have seen them in were When Boys Exhale (Cagedbird Productions), The Crucible, Cabaret, You’re A Good Man Charlie Brown (Parallel 45), Protest in 8 (Theater Alliance), and Sleep Deprivation Chamber (Roundhouse Theatre). As a Senior at Howard University, they are currently in the process of obtaining a BFA in Musical Theatre from The Chadwick A. Boseman College of Fine Arts.
(she/her)
Graziella Jackson is the 2022-2023 Playwright-in-Residence with Keegan Theatre, where she is developing The Elements Plays, a four-play cycle about climate change. A native of the Washington, D.C. region, Graziella’s full-length plays also include After Eleven, produced in 2015 at the Capital Fringe Festival (D.C.), and Little Wars, produced in 2020 by Keegan Theatre’s Boiler Room Series. Her plays have been read and produced by Theater J, Source Festival, Rorschach Theatre, Word Dance Theatre, and The Playwright’s Forum in D.C. Her plays focus on intimate exploration of human relationships and social justice issues, ranging from gender equity to gun violence to climate justice. Also an experienced designer, Graziella has worked with nonprofit organizations including ASPCA, Brennan Center for Justice, Greenpeace, Facing History & Ourselves, and the National Education Association to connect communities, stories, and social and environmental action. She has an academic background in journalism (BA, George Mason University) and communication, culture, and technology (MA, Georgetown University), and studied at the Studio Theatre Acting Conservatory in D.C. Graziella is a member of the Dramatists Guild of America, a member of Leadership Greater Washington, and currently serves on the board of the Washington Improv Theater (WIT).
(they/them)
Paige Washington is a local DMV stage and production manager. Recent credits include Requiem with INSeries; Tempered: A Cabarage with 4615 Theatre Company; the 2022 Boiler Room Series reading of The Wilting Point with Keegan Theatre. In addition to their management work, they are a director and choreographer. Credits include There is No Hope in the City of Chaos and By the Hands of a Woman with Keegan’s Boiler Room Series; The Headwound with Post Shift Theatre. They are also a producing fellow at 4615 Theatre Company and Assistant Production Manager at Imagination Stage. They are thrilled to be continuing the journey of The Wilting Point and looks forward to directing Boiler Room Series readings for Keegan this spring, including: The Elements Plays: Fire and You Should Be So Lucky.
(he/him)
Previous shows include: Bowie Center for the Performing Arts: The Seaside Adventures of Zoey Brine (The Admiral); Smithsonian Discovery Theatre: Seasons of Light (himself/ensemble); University of Maryland: Noises Off (Tim); Imagination Stage: New Kid (Stage Manager); Theatre Lab: Blood Brothers (Stage Manager).
(he/him)
Previous shows include: Baltimore County Arts Guild: Master Theft (Jorge); The Keegan Theatre: The Wilting Point (BRS reading - Takudo Otero Pike); Montgomery College: Amatuers (Larking), Electricidad (Stage Manager), Our National Museum of the Unforeseen Tragedy (Cyrus Graves/Docent), Like It (Lando); MC's Summer Dinner Theatre: Little Women (Stage Manager), Spamalot (Concorde/Ensemble).
(she/her)
Previous shows include: Constellation Theatre Company: Once on This Island (Andrea); Keegan Theatre: Shakespeare in Love (Queen Elizabeth), As You Like It (Phoebe); Everyman Theatre: Flyin’ West (Minnie Dove Charles); Mosaic Theater Company: Queens Girl in Africa (Jacqueline Marie Butler u/s); Capital Fringe: She Sings Light (Meira); 10th Muse Productions: Sioux Falls (Sr. Teresa).
(she/her)
Previous shows include: The Arlington Players: Almost, Maine (Deena), A Midsummer Night’s Dream (Egeus), Curtains (Carmen), Sweeney Todd (Beggar Woman); Dominion Stage: Last Summer at Bluefish Cove (Kitty); Twisted Tales of Madness & Murder Podcast: Serving Ruth (Ruth), The Halloween Visit (Gabriella); Quarantine Players (virtual): Legends & Bridge (Judy Garland).
(he/him)
Axandre Oge (pronounced: Eks - And - Jri Oh - Gee) is an actor and artist based in the DMV, excited to have workshopped some new plays with Keegan Theatre. Past credits: Secret of St. Kilda (Spotify), RogueMaker (Spotify), SuperSuits (Spotify), Snapshots (Convergence Theater), Winter's Tale (The Wheel Theatre), This is All Just Temporary (Convergence Theatre), The Seagull (The Wheel), Welcome To Sis' (Ally Theatre), Body (Capital Fringe).
(he/him)
Previous shows include: Prologue/NextStop Theatres: The Cake (Tim); Mosaic Theatre: Eureka Day (Don); Colonial Players Theatre: Art (Yvan); Silver Spring Stage: Appropriation (Beau).
(she/her)
Beverlix Jean-Baptiste is a graduate of the William Esper Studio. Partial stage, production, and film credits: Br’er Cotton (Nadine), Feeding a Monster (Veronica/Rhea understudy), FIGHT! (Hiari/Pastor Vela/Amy Ashwood), Conversation with a Kleagle (Lurinda), A Credit to His Race (Ethel Highwarden), Tellin’ Man (Wilhelmina), Life Without Parole (Steege/Shaeffer), Not My Flag (Teacher), and Periphery (Deidre). Beverlix splits her time between Los Angeles and New York, working in water conservation and as a producer, actor, and writer. Many thanks to all who attended this production.
(they/she)
Previous shows include: Keegan Theatre: Womxn on Fire Festival; Pipeline Playwrights: Unprotected (Grace); Maryland Ensemble Theatre: Tomás and The Library Lady (Tomás); Classic Theatre of Maryland: A Christmas Carol (Fan/Belinda Cratchit); Atlas Performing Arts Center: Can I Save Me? (Adena/Deviser); The 4208 Group: Ten-Minute Taste Festival (Sketch A).
(he/him)
Previous Shows Include: 4615 Theatre: Neverlanding (Mike), The Infinite Tales (Fiachra), King John/The Lion In Winter (John); Encore Theatre Company: Incognito (Track 4); Studio Theatre: Moment (u/s Dave).
Coming soon!
(she/her)
Boiler Room Series credits include: Air (director), Earth (Akari Sato), Enter Gretta (director), Marjorie is Dead (director) and Pigeon Trap (director). Other acting credits include: Imagination Stage: New Kid (Mother): Pointless Theatre Company: Rhinoceros! (Daisy): Constellation Theatre Company: Mysticism and Music (ensemble), The White Snake (Green Snake): Flying V Theatre: Crystal Creek Motel (ensemble).
(he/him)
Previous shows include: Bowie Center for the Performing Arts: The Seaside Adventures of Zoey Brine (The Admiral); Smithsonian Discovery Theatre: Seasons of Light (himself/ensemble); University of Maryland: Noises Off (Tim); Imagination Stage: New Kid (Stage Manager); Theatre Lab: Blood Brothers (Stage Manager).
(she/her)
Previous shows include: Constellation Theatre Company: Once on This Island (Andrea); Keegan Theatre: Shakespeare in Love (Queen Elizabeth), As You Like It (Phoebe); Everyman Theatre: Flyin’ West (Minnie Dove Charles); Mosaic Theater Company: Queens Girl in Africa (Jacqueline Marie Butler u/s); Capital Fringe: She Sings Light (Meira); 10th Muse Productions: Sioux Falls (Sr. Teresa).
(he/him)
Spooky Action Theatre: Maple & Vine (Dean); Olney Theatre Center: Once (Bank Manager); 1st Stage: Hero's Welcome (Murray); Hub Theatre: The Late Wedding (The Writer); STC: All's Well... (Dumaine); Ford's: A Christmas Carol: (Fred/Young Scrooge); Ally Theatre: Clover (Henry Adams); Urban Idyl/CapFringe: Green Machine (Mike); Imagination Stage: Robin Hood (Ensemble/Music Dir); We Happy Few: Hamlet Mixtape ("Slick" Nick Riot/Composer/guitar); Kennedy Center: Shear Madness (Eddie); Constellation Theatre: Temptation (Foustka); Annapolis Shakespeare Company: Midsummer... (Puck); Washington Stage Guild: Magic (The Conjurer)
(she/her)
Previous shows include: Fever Up: The Little Mermaid (Pearl); Capital Fringe Festival: Let's Take This Offline (Company Member); InterAct Story Theatre: The Hero of EVERYTHING (Grammar Girl); Silver Spring Stage: Perfect Arrangement (Millie Martindale); Deep Dish Theatre: The Cherry Orchard (Anya).
(he/him)
Vishwas is a DMV-based actor and filmmaker. Previous shows include: Keegan Theatre: Boy (Dr. Wendell Barnes), God of Carnage (Alan Raleigh); Rorschach Theatre: Forgotten Kingdoms (Officer Togar); NatyaBharati Theatre: Iktara (Aryan Shukla); Keegan’s WOMXN on Fire Festival: Pen and Paper (General James); Keegan’s Boiler Room Series: Ballet of the Unhatched Chicks (Staged Reading, Ali Bukhari); Spooky Action Theatre Festival of Readings: Rashomon Gate (Staged Reading, Kanazawa No Takehiro). Independent film and webseries credits include: The Nair House, The Visit, Fresh Blood, Tomorrow Ever After, and more. www.vishwas.film
Coming soon!
(they/them)
Paige Washington is a local DMV stage and production manager. Recent credits include Requiem with INSeries; Tempered: A Cabarage with 4615 Theatre Company; the 2022 Boiler Room Series reading of The Wilting Point with Keegan Theatre. In addition to their management work, they are a director and choreographer. Credits include There is No Hope in the City of Chaos and By the Hands of a Woman with Keegan’s Boiler Room Series; The Headwound with Post Shift Theatre. They are also a producing fellow at 4615 Theatre Company and Assistant Production Manager at Imagination Stage. They are thrilled to be continuing the journey of The Wilting Point and looks forward to directing Boiler Room Series readings for Keegan this spring, including: The Elements Plays: Fire and You Should Be So Lucky.
(he/him)
Previous shows include: Bowie Center for the Performing Arts: The Seaside Adventures of Zoey Brine (The Admiral); Smithsonian Discovery Theatre: Seasons of Light (himself/ensemble); University of Maryland: Noises Off (Tim); Imagination Stage: New Kid (Stage Manager); Theatre Lab: Blood Brothers (Stage Manager).
(she/her)
Best Medicine Rep: The Future Is Female (stg read) (Toni), Portland Stage: May 35th (stg read) (Siu Lum), WSC Avant Bard: The Peachlanders (stg read) (Grandma Wu), Keegan Theatre: Up the Ladder, Down the Slide (stg read) (JoAnn), Studio Theatre: Chimerica (Ming XiaoLi) (u/s & perf.), Perchance to Dream DC: Twelfth Night (Maria), Tsunami Theatre: Getting Along (First Aunt), McLean Drama Company: Return to Vietnam (Mother), Renegade Theatre: Anything Goes (Ling), Capital Fringe Festival: Murth (Hopsingalong), Capital Fringe Festival: Eve’s Big Fat Family Reunion (Narrator/God), St. Mark’s Players: M. Butterfly (Comrade Chin), St. Mark’s Players: Amadeus (Venticello), St. Mark’s Players: Man of La Mancha (Maria), Potomac Theatre Company: The Music Man (Maud)
(she/her)
Previous shows include: Strand Theatre: Asian American Pacific Islander Voices Theatre Festival (various characters); Rorschach Theatre: Dracula A Feminist Revenge Fantasy Really (Marilla/Maid); Workhouse Performing Arts: Women Playing Hamlet (Actor 2); Rorschach Theatre: Sometimes the Rain, Sometimes the Sea (Little One)
Coming soon!
(he/him)
Previous shows include Keegan Theatre: Ripcord, Hands on a Hardbody, As You Like It. Arena Stage: Native Gardens, Destiny of Desire. Scena Theatre: 1984 (Winston Smith), Guilt, Fear Eats the Soul and Mountain Language. The In Series: Goyescas. Constellation Theatre: Zorro. Synetic Theatre: Host & Guest. Oscar is a company member at GALA Hispanic Theatre: Chronicle of a Death Foretold, Anna in the Tropics, The Knight form Olmedo, I Too Speak of the Rose, Blood Wedding among many others. He’s also a Factory 449 company member. Regional credits: Jesus Christ Superstar (Caiaphas), The Royal Hunt of the Sun (Atahualpa), The Most Fabulous Story Ever Told (Adam) and Jeffrey (Steve). In Panama, he received the Escena Award for Best Supporting Actor in a Play for his performance in Alan Ayckbourn’s How the Other Half Loves. TV: “Bennie’s” (pilot) with Ed Asner.
(she/they)
Jillian Riti is an actor, fight choreographer, and stage manager. She has been managing the stage of theaters on both US coasts for over a decade. Previous shows include: Hollywood Fringe Festival: Dear Mom Sorry for Being a Bitch, #CANCELED; Los Angeles Theatre Center: Orange is the New Musical (ASM); Slaughterhouse Theatre Company: Dirty (ASM); Backstage Players: Dog Sees God. SAFD Advanced Actor Combatant. BFA: AMDA College and Conservatory of the Performing Arts.
(she/her)
Previous shows include George Mason University: Eurydice (Eurydice); Creative Cauldron: Wizard of Oz (Ensemble); George Mason High School: Curious Incident of the Dog in the Nighttime (Siobhan).
(he/him)
Previous shows include: Off Broadway West: Bakersfield Mist (Lionel Percy), Betrayal (Robert), The Weir (Jack), The Birthday Party (Goldberg); San Francisco Playhouse: Art (Ivan), Our Lady of 121st Street (Father Lux), Our Town (Doc Gibbs), Mrs. Bob Cratchit’s Wild Christmas Binge, (Cratchit); Interplayers: How I Learned To Drive (Uncle Peck), Ah! Wilderness (Nat Miller), A Touch of the Poet (Con Melody), Watch on the Rhine (Kurt Muller); Center Rep: Macbeth (Macduff), The Real Thing (Max), Quartermaine"s Terms (Winscape); Tides Theater Co: Waiting For Godot (Vladimir); Trinity Shakespeare: Henry IV (Poins/Blunt), Henry V (Chorus); Shelton Theater: Glengarry Glen Ross (Levene), Small Craft Warnings (Quentin)
(he/him)
Previous shows include: The Catholic University of America: Suddenly Last Summer (George Holly); Rambunctious Theatre Company: Almost Maine (Randy), The Curious Incident of the Dog in the Night-Time (Uncle Terry).
(she/her)
Previous shows include Nu Sass: Twigs and Bone (Bonnie); Baltimore Shakespeare Factory: Cymbeline (The Queen); Best Medicine Rep Co.: Engaging Shaw (Beatrice Webb); Scena Theatre: A Woman of No Importance (Lady Hunstanton); Ambassador Theatre: The Trap (Mother); Pallas Theatre Collective: She Stoops to Conquer (Mrs. Hardcastle); Highwood Theatre: `night, Mother (Thelma Cates), Other Desert Cities (Silda Grauman); Avant Bard: The Mistorical Hystery of Henry (I)V (Patience/Worcester).
(he/him)
Previous shows include: NextStop Theatre: A Midsummer Night's Dream (Lysander); Baltimore Shakespeare Factory: Romeo and Juliet (Romeo); Richmond Shakes: The Merry Wives of Windsor (Slender/Fenton/Nym); Hattiloo Theatre: "Master Harold" ...And the Boys (Hally); Tennessee Shakespeare Company: Romeo and Juliet (2023 - Romeo, 2021 - Paris), Cyrano de Bergerac (Cadet/Sister Marthe/Ensemble), Macbeth (2022 - Ross/Witch/Ensemble, 2021 - Malcolm/Witch/Ensemble), King Henry VI: The Wars of the Roses (King Henry/Rutland/Alanson); Theatre Memphis: Our Town (George).
Coming soon!
(he/him)
Previous shows include: DIRECTING: Keegan Theatre: Boiler Room Series (BRS) Artistic Director, 10 BRS Workshop Readings, Good People, As You Like It, Six Degrees of Separation (AD), and The Lonesome West (AD); Theatre Lab: Curtains, Children of Eden, Jesus Christ Superstar (Choreographer), and Carousel (Choreographer); Capital Fringe: She Sings Light. ACTING: Keegan Theatre: Other Life Forms, The Undeniable Sound of Right Now, Stones in His Pockets, American Idiot, Hair, A Midsummer Night’s Riot, Cuchullain, Basra Boy, and many, many, more; Ford’s Theatre: The Guard; Hub Theatre: Big Love; Rorschach Theatre: The Minotaur, Kit Marlowe; force/collision ensemble: Nautical Yards; La Mama ETC: Shape; Singapore Repertory Theatre: Just a Dream; Volkov Theatre Russia: They Shoot Horses Don’t They. EDUCATION: American University, BA: Dual Degree in Political Science & Musical Theatre.
(she/her)
Previous shows include: Cogent Theater Collective: Closer, (Assistant Director/Stage Manager); Silver Spring Stage: Ada and the Engine (Stage Manager); Rockville Little Theater: Radium Girls (Assistant Director/Stage Manager); Silver Spring Stage: Intimate Apparel (Stage Manager/Sound/Projections).
(he/him)
Previous shows include: JMU Mainstage Theatre: Midsummer Night's Dream (Demetrius), JMU Mainstage Theatre: R.U.R. (Dr. Gall).
(he/him)
Previous shows include: Arena Stage: Holiday (Charles); STC: Jane Anger (Shakespeare, Francis u/s), The Merchant of Venice (Salerio); Studio Theatre: John Proctor is the Villain (Carter Smith u/s); ACA: Hedda Gabler (Lovborg), Much Ado About Nothing (Benedick).
(she/her)
Tatenda Rameau is thrilled to be working with Keegan Theatre for the first time! She is a recent graduate of the Honors Acting Conservatory at The Theatre Lab School of the Dramatic and a Wellesley College Alumna. Previous shows include: Theatre Lab School of the Dramatic Arts: The Mountaintop by Katori Hall (Camae), Theatre Lab School of the Dramatic Arts: Blood Brothers by Willy Russell, Wellesley College Upstage: The Effect of Gamma Rays on Man-in-the-moon Marigolds by Paul Zindel (Beatrice). You can find her on Instagram @tjrenaissance.
(she/her)
Previous shows include The Wiz (The Wiz), Songs for Janie, and Pearl Bailey (Pearl Bailey).
(he/him)
Stan Shulman is a proud founding member of the Keegan Theatre. Keegan: Lincolnesque (Secretary of War/Daly), The Best Man (Jensen), Cabaret (Herr Schultz), August Osage County (Beverly, Helen Hayes Nomination-Outstanding Ensemble), Glengarry Glen Ross (Aaranow), Translations (Jimmy Jack, Helen Hayes Nomination-Outstanding Ensemble), Golden Boy (Mr. Carp), Give Me your Answer Do! (Jack Donovan), Notebook of Trigorin (Pyotr Sorin), Cat On A Hot Tin Roof (Reverend Tooker). Stan has also performed at Theater J, Signature Theatre, Arena Stage, and First Stage. Radio: NPR, The Life of George Gershwin (George Gershwin).
(she/her)
Previous shows include: Olney Theatre Center: Beauty and the Beast (Chip); Constellation Theatre Company: Once on This Island (Little Ti Moune); Roxy Regional Theatre: Dreamgirls (Charlene); Imagination Stage: Corduroy (Lisa), and so on.
