Reviews

Washington Post Review: WEBSTER’S BITCH
There’s a certain symmetry to the fact that a newish play bearing a title some...
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Broadway World Review: WEBSTER’S BITCH
Playwright Jacqueline Bircher has done a seemingly impossible task with her play, WEBSTER’S BITCH. She’s...
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DC Theater Arts Review: WEBSTER’S BITCH
There’s no pussyfooting around the titular B-word in Keegan Theatre’s current production. Did that grab...
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Maryland Theatre Guide Review: WEBSTER’S BITCH
The office of the modern day Webster’s Dictionary is not the first place you’d expect...
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Washington City Paper Review: MERRILY WE ROLL ALONG
For years, nothing could interfere with the “old friends” of Stephen Sondheim and George Furth’s...
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Maryland Theatre Guide Review: MERRILY WE ROLL ALONG
Tragically, it often does take a death to rehabilitate the image of a much-maligned piece...
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Washington Post Review: MERRILY WE ROLL ALONG
When I saw that Washington’s 120-seat Keegan Theatre planned to produce [Merrily We Roll Along]...
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DC Theater Arts Review: MERRILY WE ROLL ALONG
How did you get to be here? That’s the central question of Stephen Sondheim’s Merrily...
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Broadway World Review: MERRILY WE ROLL ALONG
The music of Stephen Sondheim is well sung by the company of Merrily We Roll...
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