April 18, 2019: Keegan PLAY-RAH-KA, the education and family programming arm of the Keegan Theatre, continues its season of theatre for young people and families with THE RELUCTANT DRAGON, by Mary Hall Surface and directed by Ricky Drummond, opening May 11 and playing weekend mornings at 11:00 am at Keegan Theatre. Adapted by local playwright
Keegan’s production [of As You Like It] is not a traditional Shakespearean play, but instead the DC-area premiere of the musical version of the show, written by co-adapters Shaina Taub and Laurie Woolery as a commission for The Public Theatre in 2017. Taub and Woolery’s musical version replaces some of the dialogue with songs, including Jaques’ monologue, which is the basis
When asked recently what he hoped audiences will get from watching Other Life Forms, playwright Brandon McCoy answered, “I hope they laugh, and I hope they have a really good time.” Mission accomplished! McCoy’s new work – a world premiere now at the Keegan Theatre — is a funny, adroit look at contemporary love brought to life
The performers make the most of it. The characters who are supposed to engage our sympathy — [Noah] Schaefer as Eric and [Jenna] Lawrence as Billie — eventually do so, notwithstanding that their characters appear to have the IQs of toasters. (Lawrence does an outstanding bit where she rapidly translates the hit man’s incomprehensible Scottish
Director Abigail Isaac Fine has given audiences a worthy production of Jones’ famous play, perhaps the greatest sign of her talent being her ability to render the many shifts in character and location so seamless that the audience can’t help but go on the whole journey, nearly effortlessly. Stones in his Pockets is a treat, and yet
While the movie [at the center of the plot, The Quiet Valley,] appears to be a fairly inauthentic class-warfare drama involving turf diggers, a precious lady of the manor and a local hero on horseback, the play’s voice rings true. And Keegan Theatre’s production, directed by Abigail Isaac Fine, delivers [playwright Marie] Jones’ dense chorale of
Keegan Theatre has put a nice polish on the 1990s “Stones in His Pockets,” Marie Jones’s two-person comedy about rural Irish townspeople coping with a big budget Hollywood film crew. It’s an actors’ showcase, and Josh Sticklin and Matthew J. Keenan playfully embody everyone from town elders to an American starlet. Keenan is particularly flexible,
Abigail Isaac Fine returns to the Keegan stage to direct this two-hander. Even though the play only has two actors, they play multiple different roles of various ages, genders and histories. This calls for extreme acting chops, and Keegan Theatre did not disappoint. Charlie Conlon, a smooth operator who dreams of producing his own script,
Engaging with warm-hearted humor and disarming in the depth of scenes about lost boys and bitter men with their dreams crushed, the Keegan Theatre production of the Marie Jones’ Stones in his Pockets (1999) is a winner of a serious comedy. Under the affectionate, perceptive direction of Abigail Isaac Fine, Stones in his Pockets aims for and succeeds at understanding; it’s
Written by Belfast-based playwright Marie Jones and first staged in 1996, Stones in His Pocketshas been produced in more than 30 countries—including a successful run on London’s West End—and has garnered numerous awards. Despite being more than 20 years old, Jones’s themes remain strikingly evergreen and relevant today. As the person sitting next to me noted
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