The Keegan Theatre’s production of Shaina Taub [and Laurie Woolery’s] new musical adaptation of Shakespeare’s As You Like It is as close to perfect as any production that has appeared in Washington this year. Every element works, and all work well together. Directors Cara Gabriel and Josh Sticklin make effective use of the Keegan’s intimate,
One thing leaps out right away at the Keegan Theatre’s production of “Bridges of Madison County”—this is one of the most gorgeously sung shows of the season. Led by the impeccable Susan Derry as Francesca Johnson and Dan Felton as Robert Kincaid, the music is at times transcendent. Derry sings with her usual power and
“Other Life Forms,” now playing at the Keegan Theatre, is a profound examination of what it means to be human, as seen by someone who (probably) isn’t. The world premiere by Brandon McCoy, directed by Shirley Serotsky, has the rare charm of being both thoughtful and funny, prompting both laughs and questions in equal measure.
Keegan took this landmark show, and – even in their smaller stage – has kept the power and intensity of the show intact. “Chicago,” with its outrageously challenging dance sequences, stylized, larger than life characters and the tongue in cheek breaking of the fourth wall is one of a kind. And with the nice touches
Part traditional and part bedroom farce, with an appropriately absurd plot that you feel compelled to see through to the end despite the high frequency of groan-worthy jokes, Unnecessary Farce is a well received and a timely poke at all things sly and silly. The play starts as a police stakeout, trying to nap a crooked mayor
If you need tidings of comfort and joy, look no further than the Keegan Theatre’s seventh annual production of An Irish Carol. This is the second year in a row that this reviewer has had the pleasure of seeing this irreverent and heart-warming gem, and I can say that it only improves upon further acquaintance.
In the original 1982 New York Times review of the Public’s production of “Top Girls,” critic Frank Rich explained the way that the playwright Caryl Churchill sees the theatre as “an open frontier where lives can be burst apart and explored.” It recalls an image of the playwright as a conjurer, creating characters like stars
Arthur Miller’s classic retelling of the 17th-Century Salem witch trials comes to life in DC at The Keegan Theater’s spine-tingling production of The Crucible. Every breathtaking moment of this hauntingly unforgettable show forces the viewer to ask themselves several important questions – and form a true opinion of ones own character by the end of the
Learn about the productions that are currently playing and coming up next at Keegan.
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