Review

Broadway World Review: THE WOMAN IN BLACK
Audiences are first greeted by the Victorian-inspired set, designed by the director [Josh Sticklin] and...
continue reading
DC Theater Arts Review: THE WOMAN IN BLACK
For a self-professed ghost story, The Woman in Black starts with something unexpected: jokes. For...
continue reading
Washington City Paper Review: NOISES OFF
The entire premise of the theatrical arts is pretty silly when you take a step...
continue reading
Metro Weekly Review: NOISES OFF
The set’s the star in Keegan Theatre’s nimble production of Noises Off. Serving as the...
continue reading
DC Theater Arts Review: NOISES OFF
Successfully depicting the descent of an already awful farce into hopeless chaos requires precision engineering....
continue reading
Broadway World Review: NOISES OFF
Noises Off remains the hardest to perform play ever written, as well as one of...
continue reading
MD Theatre Guide Review: NOISES OFF
Back by popular demand, The Keegan Theatre has revived its 2010 production of “Noises Off.”...
continue reading
Metro Weekly Review: SWEAT
Women bear a heavy burden for keeping the faith and the peace in Lynn Nottage’s...
continue reading
Washington City Paper Review: SWEAT
As season finishers go, you can do a lot worse than Sweat, which won Lynn...
continue reading
MD Theatre Guide Review: SWEAT
[Playwright Lynn] Nottage offers as real a look at blue-collar America as any play in...
continue reading
DC Theater Arts Review: SWEAT
What happens to a city and its communities when the primary employer in that city...
continue reading
Broadway World Review: SWEAT
No matter what year an audience sees Lynn Nottage's (her second Pulitzer) Sweat, something will...
continue reading