Review

Washington City Paper Review: THE WOMAN IN BLACK
There’s something a little spooky (but not scary) about the 1700 stretch of Church Street...
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Broadway World Review: THE WOMAN IN BLACK
Audiences are first greeted by the Victorian-inspired set, designed by the director [Josh Sticklin] and...
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DC Theater Arts Review: THE WOMAN IN BLACK
For a self-professed ghost story, The Woman in Black starts with something unexpected: jokes. For...
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Washington City Paper Review: NOISES OFF
The entire premise of the theatrical arts is pretty silly when you take a step...
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Metro Weekly Review: NOISES OFF
The set’s the star in Keegan Theatre’s nimble production of Noises Off. Serving as the...
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DC Theater Arts Review: NOISES OFF
Successfully depicting the descent of an already awful farce into hopeless chaos requires precision engineering....
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Broadway World Review: NOISES OFF
Noises Off remains the hardest to perform play ever written, as well as one of...
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MD Theatre Guide Review: NOISES OFF
Back by popular demand, The Keegan Theatre has revived its 2010 production of “Noises Off.”...
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Metro Weekly Review: SWEAT
Women bear a heavy burden for keeping the faith and the peace in Lynn Nottage’s...
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Washington City Paper Review: SWEAT
As season finishers go, you can do a lot worse than Sweat, which won Lynn...
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MD Theatre Guide Review: SWEAT
[Playwright Lynn] Nottage offers as real a look at blue-collar America as any play in...
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DC Theater Arts Review: SWEAT
What happens to a city and its communities when the primary employer in that city...
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