Looking back as a 20-something, Adam Turner remembers his high school prom as agony. He was living as a girl back then. He wore a dress. His date groped him. Years after the traumatic event, he recounts the experience to his soul mate, Jenny. He speaks quietly, but his pain manifests with such immediacy that
In Airness, the axes are invisible but the play is loud It’s a good thing invisible guitars don’t cost real money or the Keegan Theatre would be racking up thousands of dollars in damages each night. In the company’s entertaining presentation of Chelsea Marcantel’s play Airness, co-produced with 1st Stage, characters infuse their competitive air-guitar
Brandon McCoy’s WEST BY GOD stands tall at the divide of rural and urban America Snowshoe Mountain, Morgantown and the New River Gorge Bridge all co-star in Brandon McCoy’s “West By God,” a West Virginia love letter punctuated with postcard scenery. Seeing those images projected across the Keegan Theatre set should entice audiences to schedule
David Lindsay-Abaire is up to his old tricks again in “Ripcord,” a zany comedy about feuding seniors. Bet you can’t keep ahead of the twists in the sitcom play “Ripcord,” David Lindsay-Abaire’s “Odd Couple” romp for two women thrust together in a senior living complex. They are roommates who don’t get along: One’s sweet, the
Excellent cast steps up in THE BALTIMORE WALTZ The Baltimore Waltz prances in circles around its subject, which is the death of playwright Paula Vogel’s brother, Carl, in 1988. Vogel’s approach to her grief — a nation’s grief, as the country grappled with lost lives during the AIDS epidemic — was to fantasize. The 90-minute
The Shakespeare reinvention game is at full throttle in Washington now … so why not now for D.C. to get its first taste of New York singer-songwriter Shaina Taub’s popular new adaptations of Shakespeare? The Keegan Theatre is rocking out with the musical “As You Like It,” which Taub [and co-adapter Laurie Woolery] created along
“Bridges” can be ravishing, and the ace in this staging is Susan Derry, whose operatic soprano is exactly right for Francesca, the Italian war bride pining away in 1965 Iowa after 20 years of marriage. Derry is wonderful with Francesca’s anxieties when her family leaves for a state fair and a handsome National Geographic photographer shows
Swipe right on the dating comedy ‘Other Life Forms’ The blind-date comedy “Other Life Forms” is an amiable getaway — cheerful, bouncy, and with a bright sci-fi twist that once upon a time might have earned writer Brandon McCoy a scriptwriting invitation from “Mork and Mindy” or “Third Rock From the Sun.” McCoy isn’t blazing
If there’s a bulletproof musical, “Chicago” is it. The John Kander-Fred Ebb-Bob Fosse masterpiece has been on Broadway and the road so long you don’t expect to encounter anything but that slinky version that’s been part of the entertainment landscape since the last century, but the Dupont Circle troupe Keegan Theatre has opened a production
Keegan Theatre has put a nice polish on the 1990s “Stones in His Pockets,” Marie Jones’s two-person comedy about rural Irish townspeople coping with a big budget Hollywood film crew. It’s an actors’ showcase, and Josh Sticklin and Matthew J. Keenan playfully embody everyone from town elders to an American starlet. Keenan is particularly flexible,
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