Category Archive for: Reviews

Washington Post: BASRA BOY

In a succinct 70 minutes that pulse with slangy lyricism, “Basra Boy” paints a vibrant portrait of an exuberant teenager and his quirky, down-at-heels community. As brought to life by director Abigail Isaac and the appealing performer Josh Sticklin, who portrays multiple characters, it’s a piece that starts as a funny, antic romp and ends asit’s a piece that starts as a funny, antic romp and ends as a touching tribute to friendship and to the process of growing up…

Washington City Paper: THE WEIR

Set in one location in real time, The Weir is the kind of interior, Irish-to-its-chilly-bones piece at which Keegan Theatre excels.” Under the direction of Mark A. Rhea, the cast all scale their performances appropriately. The comfort and the contempt arising from their lives of small-town proximity registers. As Jack, Kevin Adams seems to resent

Washington Post: THE WEIR

“Magnetic Ghost stories: Keegan Theatre’s production of THE WEIR hooks the playgoer with its subtle and provocative writing … Subtle, magnetic …McPherson is expert at unsettled equilibrium, and this production gets that … the audience is transfixed”

DC Theatre Scene: Basra Boy

“Isaac has crafted the production beautifully to make every scene fold into another with minimum fuss and lightning speed. She is aided by the energetic and fearless Sticklin …This is a play not to be missed, and, moment for moment, it’s a performance packed with dynamite and delight.”

Review Round-Up: The Weir

The Washington Post “Subtle but magnetic … the audience is transfixed as the characters, one at a time, sink into long, spellbinding speeches recounting eerie, inexplicable events … Rhea and the actors do know how to use stillness to advantage … As a piece of dramatic writing, “The Weir” is exquisite – gripping and deeply

Review Round-Up: Basra Boy

The Washington Post “In a succinct 70 minutes that pulse with slangy lyricism, “Basra Boy” paints a vibrant portrait of an exuberant teenager and his quirky, down-at-heels community. As brought to life by director Abigail Isaac and the appealing performer Josh Sticklin, who portrays multiple characters, it’s a piece that starts as a funny, antic

Washington Post Going Out Guide: Basra Boy

In “Basra Boy,” Keegan Theatre’s new production, a teen aches to join the army, if only to escape the boredom and sheer claustrophobia of small-town life. If the story of a young man bound for the Mideast has a familiar ring, perhaps that’s because it could have easily been set in Topeka or Tennessee or Texas.

But “Basra Boy” takes place in Belfast, home of playwright Rosemary Jenkinson, who has witnessed the current wars affect her own insular community.

DC Theatre Scene: THE WEIR

The Keegan Theatre’s production carries on the play’s award-winning tradition, dropping its incredibly-talented cast into a cozy, intimate rural Irish pub and letting the players take it from there …
“The Weir” is art, entertainment, and a spiritual quest all rolled up into one deceptively simple bundle …”.

Washington City Paper on Basra Boy

Keegan Theatre’s One-Man Northern Irish Punk Rock War Story: “Basra Boy is a Belfast play to its core. The one-man production centers on an 18-year-old Belfast punk, who has a dirty mouth, a penchant for trouble, and who debates joining the Royal Army to fight in Iraq or Afghanistan. It was written in dialect, with plenty of Belfast slang. And, needless to say: Its playwright, Rosemary Jenkinson, is a Belfast native.”

DCist: “A Shadow of Honor”

After you walk into the cavernous converted church to see A Shadow of Honor, the new play by Peter Coy being premiered by Keegan Theatre one of the first things you see is a rifle hanging above the fireplace in an old Virginia homestead. Later, when this rifle is taken down, you see that it



Current Productions

Learn about the productions that are currently playing and coming up next at Keegan.

Keegan PLAY-RAH-KA

Looking for Keegan productions for kids and families? See what’s next onstage from Keegan PLAY-RAH-KA!