Washington Blade: Six Degrees of Separation

[Director] Brandon McCoy, a Keegan company member, has assembled an able cast and design team to bring to life Guare’s well-spun yarn. … Matthew Keenan’s spare and elegant set consists of a two-sided spinning Kandinsky and free-floating pieces of white flats that hang like disengaged puzzles pieces. Kristina Marie’s costumes are spot on Upper East Side late-‘80s — part “Preppy Handbook” and part society fundraiser glitz.

    You May Also Like
    October 18, 2024Washington City Paper Review: THE WOMAN IN BLACK

    There’s something a little spooky (but not scary) about the 1700 stretch of Church Street NW. Maybe it’s the closed-in nature of the block, bounded by 18th Street on one...

    October 15, 2024Broadway World Review: THE WOMAN IN BLACK

    Audiences are first greeted by the Victorian-inspired set, designed by the director [Josh Sticklin] and dressed by Cindy Landrum Jacobs. It immediately set the atmosphere for the show and was...

    October 14, 2024DC Theater Arts Review: THE WOMAN IN BLACK

    For a self-professed ghost story, The Woman in Black starts with something unexpected: jokes. For nearly the first 10 minutes, the play is legitimately funny and lighthearted, with little to...