DC Theatre Scene: Parade

Matthew Keenan’s set design is spare but versatile, particularly as strategically lit by Colin Dieck, with thoughtful and well-timed sound design by Gordon Nimmo-Smith. Sydney Moore’s costumes set the clock back handsomely without screaming “period detail” at us.

… Keegan’s Parade is well worth seeing, a bold reminder, as if we needed one, of America’s habitual self-crippling bigotries as well as its better angels.

    You May Also Like
    October 18, 2024Washington City Paper Review: THE WOMAN IN BLACK

    There’s something a little spooky (but not scary) about the 1700 stretch of Church Street NW. Maybe it’s the closed-in nature of the block, bounded by 18th Street on one...

    October 15, 2024Broadway World Review: THE WOMAN IN BLACK

    Audiences are first greeted by the Victorian-inspired set, designed by the director [Josh Sticklin] and dressed by Cindy Landrum Jacobs. It immediately set the atmosphere for the show and was...

    October 14, 2024DC Theater Arts Review: THE WOMAN IN BLACK

    For a self-professed ghost story, The Woman in Black starts with something unexpected: jokes. For nearly the first 10 minutes, the play is legitimately funny and lighthearted, with little to...