With love, family, acceptance, and stunning musical talent, Keegan Theatre’s “Falsettos” reminds us why live theatre is more important now than ever. … Director and choreographer Kurt Boehm’s take on “Falsettos” dissects the familial bond and shines a spotlight on its many layers.
Functioning as a two-tiered house, a psychiatrist’s office and a hospital, Matthew J. Keenan’s dynamic set—along with Lynn Joslin’s inspired lighting design and Paris Francesca’s bright costuming (especially Trina and Mendel’s workout outfits)—brings Boehm’s Falsettoland to life.
However, the real stars of the show are the incredible vocals and the “teeny tiny band” led by music director Elisa Rosman. “Falsettos” is a true ensemble show filled with tight harmonies, upbeat comedy numbers (such as “Jason’s Therapy”), and heartbreaking ballads (most notably the penultimate “What Would I Do?”) Rosman and Boehm have assembled a cast of vocal pros who perform these iconic songs with the passion and power they deserve.
Katie McManus’ renditions of “I’m Breaking Down” and “Holding to the Ground” showcased not only her enviable vocal range but also Trina’s emotional journey out of love and in love again. Ryan Burke’s mensch-like portrayal of Mendel brought much-needed levity to the tense family dynamic. Kaylen Morgan’s “The Games I Play” delivered riffs for days, and Kylie Clare Truby’s Cordelia added a spark of light and energy to Act II.
With unforgettable vocals and a heartfelt story centered on what family means — both blood and chosen — it’s clear why “Falsettos” has made such a lasting impact on the theatrical zeitgeist. It will undoubtedly continue to touch hearts at DC’s Keegan Theatre through June and WorldPride.
