
Played alternately gruff and tender by Mark A. Rhea, Proctor’s demeanor turns out drawing an even sharper point to his powerlessness in the last act. Portrayed youthfully and passionately by Kevin Hasser, you will never decide if you like Reverend Hale or hate him.


This play will probably always be part of the dramatic canon, because it tells a story that seems to repeat itself as often as summer rain. From Socrates to Christ, to Jan Hus, to Dreyfus, to the unthought-of victims of countless purges and pogroms throughout history, the human story is full of such moments.
Americans, in particular, seem prone to hysteria and resentment. Every group that upsets norms is met with fierce backlash. That is a special warning to those of you who are camped out in parks and squares throughout our country; your backlash is coming too. This is a basic human story, one that will repeat itself as long as people inhabit this earth. This is why Millers play connects to so many people. The fact that it is the best writing on the topic since Plato’s Apology doesn’t hurt, either.


