What would you do if you knew that your newly-found significant other had only 100 days to live? This is the conceit that frames the heartfelt musical Hundred Days, currently having its Washington DC regional premiere at The Keegan Theatre, after successful runs in several major U.S. and foreign cities.
The Hundred Days score is unique and eclectic, with a good mixture of musical styles. Many of the songs are wonderful. I especially enjoyed the songs, “Bells” and “100 Days”. They are delivered not only by Kylie Clare Truby’s Abigail [a powerhouse performance] and Bradley Foster Smith’s Shaun [doe-eyed and charming] but also by a terrific ensemble, each of which plays an instrument in addition to singing vocals in various numbers (They are referred to together as the “Family Band”) and include: Lydia Gifford, Daniel Ayoola, Lucille Rieke, Jason Wilson, Jared Kirschenbaum, Kate Roddy Moore and Tim Thulson. They perform under the steady direction of Christina A. Coakley.
The production is greatly enhanced by the gorgeous lighting design of Alberto Segarra, who uses various candles, lamps, ceiling lights, and other lighting devices to set a perfect tone for this melancholy memory piece. Scenic designer (and technical director), Josh Sticklin, also helps to create a warm atmosphere with Persian rugs and strewn photographs framing the band. The colorful costumes by Logan Benson bring an appropriate Bohemian feel to the proceedings.
Hundred Days is a deeply autobiographical piece telling the Bengsons’ love story. It feels intimate and personal, but also invites its audience to think about their own choices in a world with no guarantees. Through songs and words, Hundred Days reminds us how precious life is and that we should never take our loved ones for granted, no matter how many days we have with them.
