

HUNDRED DAYS is an uncensored, exhilarating, and heartrending true story about embracing uncertainty, taking a leap, and loving as if you only had 100 days to live. With anthemic folk-punk music, HUNDRED DAYS “celebrates and laments the elusive radiance of a shared life” (New York Times) and explores a fundamental question: how do we make the most of the time that we have?
2018 Lucille Lortel & Drama League Nominee for Outstanding Musical
Thursdays-Saturdays at 8:00 pm
Sundays at 3:00 pm
Select Mondays and Wednesdays at 8:00 pm
$65 Adult
$55 Seniors 62+
$55 Students/under 25
Single tickets incur $5 service fee per ticket
SEASON SUBSCRIPTION: 30% discount and no service fees when you build a package with Adult tickets for 5+ mainstage shows before August 31!
FLEX PASS: Get a 5-ticket Flex Pass for just $250 and no service fees when you buy before August 31! Choose your show dates and seats later – use tickets however you like, for one show or five.
GROUP SALES: $10 off per ticket and no service fees when you buy 10+ tickets to a single performance.
RUSH TICKETS: On sale at the door, when available, starting 1 hour before showtime.
75 minutes with no intermission
October 16, 2026 | Happy Hour @ 7:00 pm, Show @ 8:00 pm
Patrons under 30 years old are invited to purchase discounted tickets, which include 1 drink coupon, exclusive access to our mezzanine for mingling, and a seat for the evening’s performance.
October 18, 2026 | 2:35-6:00 pm
Parents can join us for the matinee performance and register their Pre-K to 5th grade children for onsite child care with Keegan PLAY-RAH-KA Teaching Artists during the show. (Limited capacity and all children must be registered in advance. Show ticket sold separately.)
October 18, 2026 | Following the matinee performance
Free and open to all patrons!
October 29, 2026 | 8:00 pm
Discounted $20 tickets are available for the October 29 performance to current students with a valid student ID (to be checked at the door) — just add Adult tickets to your cart and enter promo code 30Hundred at checkout.
November 8, 2026 | Following the matinee performance
Free and open to all patrons! Join us for a short panel discussion with Girls Rock! DC about the ways that they’re supporting our community through the arts. Then participate in a “button-making workshop” led by GR!DC, and learn about the connection of buttons to punk music. Everyone will go home with a button — as a reminder that supporting the arts is totally punk rock!
Washington Post Review
“The nine-piece ensemble Christina A. Coakley and Lucia LaNave have assembled makes an infectious and largely joyful noise… Smith and Truby make the Bengsons a warm and agreeable pair of oddballs, well worth accompanying for an evening.”
DC Theater Arts Review
“Bradley Foster Smith and Kylie Clare Truby [star] as Shaun and Abigail, and their chemistry and musical talent flow effortlessly from the stage [and] the entire ensemble’s performances fill Keegan’s 120-seat theater with energy.”
MD Theatre Guide Review
“Led by an extraordinary band… Its dynamically joyous score and gripping theme create a unique concert experience audiences will enjoy. In the intimate space at Keegan, Hundred Days is born anew. “
Broadway World Review
“Intimate and personal… Through songs and words, Hundred Days reminds us how precious life is and that we should never take our loved ones for granted, no matter how many days we have with them.”

Kylie Clare Truby, she/her (Abigail) Previous shows include - DC Area: Keegan: Falsettos (Cordelia), Creative Cauldron: Little Women (Jo), Signature Theatre: Assassins, Gun & Powder, ArtsCentric: Memphis, Smokey Joe's Cafe, The Passion of Whitney Houston. Regional: Matilda (Mrs. Wormwood), You're A Good Man... (Lucy), Joseph and the Amazing.. (Narrator), Jekyll & Hyde (Emma), Seussical (Gertrude), Godspell, Sister Act, Beauty and the Beast, Murder Ballad.

Bradley Foster Smith, he/him (Shaun) is excited to return to Keegan Theatre after nearly a decade of directing and voicing dramatized audiobooks, notably the work of fantasy author Michael J. Sullivan (The Riyria Revelations) and horror author Grady Hendrix (The Southern Book Club’s Guide to Slaying Vampires, How to Sell a Haunted House, The Final Girl Support Group). Twice nominated for Helen Hayes awards (Best Supporting Actor - Suite Surrender, First Stage; Best Actor in a Musical - Nero/Pseudo, WSC), Brad’s work at Keegan includes Golden Boy, The Crucible, Laughter on the 23rd Floor, Twelve Angry Men, All My Sons, Cabaret, A Behanding in Spokane, A Few Good Men, Picasso at the Lapin Agile, and The Lonesome West. Love and gratitude to Nora, Omar, and Hanna.

Lydia Gifford, she/her (Barrie / Accordion) is thrilled to make her Keegan debut! Recent credits: Workhouse Arts: The Spongebob Musical (Karen), Jesus Christ Superstar (Featured dancer); Rorschach Theatre: So Late Into The Night (Trillian), Angel Number 9; Toby’s Dinner Theatre: The Addams Family (Wednesday), A Chorus Line (Cassie), Jersey Boys (Francine & others - Helen Hayes Nomination), Grease (Jan), Rocky (Adrian), Beauty and The Beast (Les filles de villes), Sister Act, Miracle on 34th Street, Something Rotten, It’s A Wonderful Life, Ghost. Orlando native. Much love to her family, friends, and mentors, and special thanks to her beloved accordion, Stanley! lydia-gifford.com | @lydz27

Daniel Ayoola (Reggie / Guitar) is incredibly excited to be making his Keegan debut with this fantastic show. He has starred in Atlantic Theater Company: Master Harold & the Boys (Sam), Stonefield Productions: Cycles (Dr. Opara) and RepStage: The Antigone Project (Man 2).

Lucille Rieke, she/her (Ensemble / Guitar) is an actor, musician, and arts administrator. Previous credits include: Theater J (Reading): The Last Night at Ballyhoo (Lala Levy); American University: Speech & Debate (Diwata), The Two Gentlemen of Verona (Silvia), Disarming Girls (Truus), Once (Ex-Girlfriend, Guitar). EDUCATION: American University B.A. Theater Performance & Public Relations. lucillerieke.com

Jason Wilson, he/him (Ensemble / Bass / Reggie u/s) MUSICIAN CREDITS: Keegan Theatre: American Idiot, Rent, Big Fish, Parade, Spring Awakening, Dogfight, Chicago, Hands On A Hardbody. OTHER DC AREA: Signature: In The Heights, Hair, Passing Strange; Olney: Hedwig & The Angry Inch, A.D. 16 (World Premiere), Kinky Boots; Round House: We’re Gonna Die; Kennedy Center: Let Freedom Ring MLK Celebration, Kennedy Center Honors. NATIONAL TOUR: Stirring The Waters. REGIONAL: Eldorado Casino (Reno, NV) & Lake Dillon Theatre (Silverthorne, CO): Rock Of Ages; The New York Musical Festival; The Lincoln Center Youth Debut Series. ACTING CREDITS: Woolly Mammoth: F#@king Up Everything [Broadway World Award for Best Featured Actor in a Musical]; Toby’s: Ragtime, The Buddy Holly Story. TV: Comic Book Men (AMC), Criminals At Work (BET), History’s Secrets (Nat Geo).

Jared Kirschenbaum, he/him (Ensemble / Drums) is a DC-based actor-musician and is so excited to be making his Keegan Theatre debut! DC Area credits include NextStop Theatre Company: Once (Svec); Imagination Stage: New Kid (Nick u/s); Monumental Theatre Company: Finn: A Concert for WorldPride (Drums); Constellation Theatre Company: Head Over Heels (Drums sub). Jared has a BA in Musical Theatre from American University. Much love to his family and friends for all of their support. @jaredkirschenbaum

Kate Roddy Moore, she/her (Ensemble / Keyboard / Barrie u/s / Bass cover) Previous shows include: Catholic University of America: Quilters (Women 7), Jesus Christ Superstar (Featured Dance Ensemble, U/S Herod), Freaky Friday (Laurel), The Sound of Music (Nun), Rose Bruford College: Mr. Burns (Sam/ Lisa Simpson)

Tim Thulson, he/him (Ensemble / Cello) Previous shows include: Keegan Theatre: Lizzie (Cello); NextStop Theatre: The Last Five Years (Cello 1); Creative Cauldron: The Turn of the Screw (Cello); Constellation Theatre: The Last Five Years (Cello 2). Ensembles: Pan-American Symphony; Georgetown Chamber Players; Ars Nova Chamber Orchestra; Great Noise Ensemble.

Jackson Saunders, he/him (Shaun u/s) Previous shows include: Keegan: The Play That Goes Wrong (Robert) ATMTC: Dragons Love Tacos (Man in Suit), Frosty the Snowman (Swing). A recent graduate of the National Conservatory of the Dramatic Arts, his credits there include: Sylvia (Greg), A Midsummer Night’s Dream (Lysander/Oberon), Try Hard (David), The World We Live In (Vagrant/Female Cricket/Ensemble), and A Christmas Carol (Scrooge/Bob Cratchit/Ghost of Christmas Future). He has also performed in devised works including The In-Between, Thank You, Everything Connects, and The Show. Jackson thanks his family and friends for their unconditional love and support.

Samantha Hegre (Cello cover) is a classically trained cellist with a passion for both concert and collaborative performance. She earned her Bachelor of Music from California State University, Sacramento, before completing her Master of Music and Graduate Performance Diploma at the Peabody Conservatory of Music in Baltimore, MD.
Samantha has performed throughout Europe as well as across the United States, with notable performances at the Kennedy Center and Wolf Trap. Beyond the classical stage, Samantha has brought her cello into indie folk with bands The Last Monarchs and The Echo Wall, and has performed alongside alt-folk artist Zoe Ravenwood

Coming soon!
Lydia Gifford: Abigail u/s
Jason Wilson: Reggie u/s
Kate Roddy Moore: Barrie u/s & Bass cover
Christina A. Coakley, she/her (Director) previously served as Keegan’s Director of Administration, Casting Director, and Producer of the Acts of Love Festival. Christina has more than 30 credits with Keegan, and her favorite directing projects include Merrily We Roll Along (Helen Hayes Award for Outstanding Production in a Musical), Airness, Parade (Helen Hayes nomination for Outstanding Production and Direction in a Musical), Dogfight, Cabaret (Helen Hayes nomination for Outstanding Production in a Musical), The 25th Annual Putnam County Spelling Bee, and A Man of No Importance. She also worked with Signature Theatre, Source Theatre, Studio Theatre, Theater of the First Amendment, and 59E59 in Manhattan. Christina is a graduate of George Mason University with a B.A. in Theater Studies and a Minor in Arts Administration. She is a co-founder of beSPOKE Artist Collective where she produced and directed Strangers With Benefits at the 2025 Edinburgh Fringe Festival. Upcoming: The Steven Herren Memory Initiative at bspkac.org
Lucia LaNave (Music Director) Keegan Debut. NATIONAL TOUR: Annie. DC AREA: Arena Stage: Damn Yankees, The Bedwetter; Signature Theatre: The Untitled Unauthorized Hunter S. Thompson Musical, Safety Not Guaranteed, Fiddler on the Roof. Ford's Theatre: Little Shop of Horrors; Round House Theatre: A Hanukkah Carol, or Gelt Trip! The Musical; Shakespeare Theatre Company: Leopoldstadt; Olney Theatre Center: Little Miss Perfect, Waitress, Fiddler on the Roof, The World Goes Round, Kinky Boots; Rep Stage: Falsettos; Nextstop Theatre Company: The Last Five Years; Footloose, Ride the Cyclone, Lucky Stiff; Creative Cauldron: The Christmas Angel; Expats Theatre: Marlene. EDUCATIONAL: American University: Bat Boy; The Musical; Montgomery College: Something Rotten; Levine Music Theatre: Bright Star; The Theatre Lab: Something Rotten, Chicago, Hadestown, The Spongebob Musical, Titanic, Footloose, The Prom, Carrie, The Hello Girls, Urinetown, As You Like It. UPCOMING: Signature Theatre: The Secret Garden; Ford's Theatre: The 25th Annual Putnam County Spelling Bee.
Kayla A. Warren, she/her (Choreographer) Previous credits include: Keegan Theatre: MIDICULOUS (Choreographer); Young Artists of America: Bring It On: The Musical (Choreographer); Arena Stage: POTUS (Assistant Director) and Toni Stone (Assistant Director); Montgomery College, Maryland: The 25th Annual Putnam County Spelling Bee (Choreographer); Howard University: Urinetown: The Musical (Choreographer); Friends Select School: The 25th Annual Putnam County Spelling Bee (Choreographer) and Cabaret (Choreographer); MacGuffin Theatre & Film Company: Avenue Q (Choreographer), Urinetown: The Musical (Choreographer), A Chorus Line (Choreographer), and Pippin (Choreographer).
Gabrielle Busch, she/her (Assistant Director) graduated from High Point University with a B.A. in performance theatre. While at High Point, Gabrielle was involved with stage managing, acting, and directing. Coming back to her hometown of D.C she has her sights set high on getting involved in the theatre community as much as she can. Some projects that she has worked on at Keegan include N (Stage Manager), Yoga Play (Stage Manager), Elegies: A Song Cycle (Stage Manager) ,LifeSpan of A Fact (Stage Manager), Shakespeare In Love(Stage Manager), Merrily We Roll Along (Stage Manager/Assistant Director), Noises Off (Stage Manager), and Falsettos (Stage Manager), Apropos of Nothing (Assistant Director), Lizzie (Assistant Director), The Play That Goes Wrong (Assistant Director).
Coming soon!
Alec Green, he/him (Sound Designer) Previous shows designed include: Keegan Theatre: Lizzie; Monumental Theatre: Rocky Horror, American Psycho, Spring Awakening, Songs for a New World, Finn, American Idiot; Spooky Action Theatre: Professor Wolland’s Black Magic Rock Show; Toledo Opera: South Pacific; Live Arts Maryland: Brigadoon, Guys and Dolls, Voices of Light; Baltimore Center Stage/Arts Centric: Crowns, Cinderella. On guitar: Signature Theatre: Safety not Guaranteed, Hedwig and the Angry Inch, Hair, Private Jones, Passing Strange, Monumental Theatre: Daddy Long Legs, Head over Heels, Tick, Tick, Boom!; Live Arts Maryland: They’re Playing our Song, Daddy Long Legs, Paul Schafer in Concert; Constellation Theatre: The last Five Years, Aida; Toby’s: Grease, Mama Mia!, Kinky Boots, Godspell, The Bodyguard; Flying V: We’re Gonna Die
Logan Benson, she/her (Costume Designer). Previous shows include: Keegan Theatre: The Minutes, Lizzie: The Musical, Hand to God; Solas Nua: Lie Low; Theatre Alliance: Covenant; Maryland Ensemble Theatre: The Crucible; Montgomery College: And So, Ad Infinitum; UNCSA: Lydia, Orlando Paladino, Mother Tongue.
Josh Sticklin, he/him (Scenic Designer & Technical Director) is a multi-hyphenate theater maker that brings that perspective to his creative work on all fronts. As a director, his Keegan credits include JOHN DOE, EVERYTHING IS WONDERFUL, WOMAN IN BLACK, HAND TO GOD, GOOD PEOPLE, and AS YOU LIKE IT. As a designer, his credits include SEUSSICAL (Helen Hayes Award Winner for Outstanding Set Design) and every scenic design this season and in the 29th Season, including THE PLAY THAT GOES WRONG. As an actor, Sticklin has performed in 22 productions at Keegan including HAIR, A MIDSUMMER NIGHT’S RIOT, CUCHULLAIN, BASRA BOY, STONES IN HIS POCKETS, and AMERICAN IDIOT. Josh is a proud member of the Stage Directors and Choreographer Society and holds a dual Bachelor’s degree in Musical Theatre and Political Science from American University.
Marty Bernier, he/they (Properties & Set Dressing Designer) Previous Prop Design credits include: NextStop Theatre: The Last Five Years, Footloose, Chicken and Biscuits, Native Gardens, The Shawshank Redemption, POTUS, and School Girls: or an Afrigan Mean Girls Play; Workhouse Art Center: Murder on the Orient Express, Into the Woods, Evil Dead the Musical; Nu Sass Productions: Everything Devoured.
Sierra Young, she/her (Intimacy Director) is a Helen Hayes nominated violence and intimacy director in the DC/Baltimore area. Sierra proudly serves as the resident violence and intimacy director for Mosaic Theater Company. She is an active member of the SAFD, IDC, and SDC. Previous Keegan Credits include: The Play That Goes Wrong, The Minutes, Lizzie, Everything Is Wonderful, Hand to God, Merrily We Roll Along, and Sweat. Selected DC credits include JaJa’s African Hair Braiding, and POTUS at Arena Stage; Or, Dracula: A Comedy of Terrors and Head Over Heels at Constellation Theatre; Julius X and Twelfth Night at Folger Theater; Come From Away, 1776, The American Five, and Sister Act at Ford’s; Frankenstein and King Lear at Shakespeare Theatre Company; Purlie Victorious, Jonah, Paradise Blue and The Scenarios at Studio Theatre; West Side Story and Porgy & Bess at Washington National Opera. Instagram: @sierrayoungfights Website: www.sierrayoung.org
Carter Zgonina (Stage Manager) Previous shows include: Keegan Theatre: Midiculous (ASM); The Naples Players: Les Misérables (SM), Sweeney Todd (ASM), 42nd Street (ASM); George Washington University: Twelfth Night (PSM), Spring Dance Concert '26 (PSM), Fall Dance Concert '26 (PSM)
Lorna Ryan, they/them (Sound Engineer) is a local sound engineer in the DMV theatre scene. Previous shows include: The Keegan Theatre: A Beautiful Blue Morning Day, Lizzie The Musical, and Elegies; Adventure Theatre MTC: Freckle Face Strawberry, The Lightning Thief, She Persisted, Knuffle Bunny, Sing Down the Moon, and Junie B Jones The Musical.
Shelby Kiesel (Assistant Stage Manager) has just graduated with their BS in Theatre Production and Design. This is their second professional show and first with Keegan. It’s been a lovely process and a wonderful cast and team to work with!
Jared H. Graham, he/him (Production Manager) is a DMV based performer, educator, administrator, and director. Jared holds an MFA in Physical Theatre from the Accademia dell’ Arte in Arezzo, Italy and a BFA in Theatre Performance from the University of Memphis. He is the Director of Production and Education at Keegan Theatre and has appeared on several local stages. Previous credits in the DMV area include Keegan Theatre: The Play That Goes Wrong, Noises Off, N, An Irish Carol; NextStop Theatre: Frankenstein; Solas Nua: The Honey Trap; 4615 Theatre: Macbeth, Dinner, Betrayal; Adventure Theatre: The Fisherman and his Wife; PG County’s Shakespeare in the Park: Macbeth, Much Ado About Nothing; Chesapeake Shakespeare: Macbeth, Romeo & Juliet; Olney Theatre Center/ National Players: Othello, The Great Gatsby, Alice in Wonderland; Brave Spirits: As You Like It, The Changeling, The Duchess of Malfi; Rainbow Theatre Project: Blue Camp; Spooky Action: Sonnets for an Old Century, The Lady from the Village of Falling Flowers; and The Team Room Foundation: The Team Room.
Christopher Gagliardi, he/him (Lead Electrics Technician) is an electrician and lighting designer in the DC area. Recent credits include: Keegan: Gruesome Playground Injuries (Lead Electrics); Dance Place: Flight! (Lighting Designer); Monumental Theatre Company: The Rocky Horror Show (Production Electrician); Forbidden Planet Productions (GWU): Anastasia (Lighting Designer), Alice by Heart (Lighting Designer), Legally Blonde (Lighting Designer), 19th Annual Cabaret (Co-Lighting Designer), Next to Normal (Lighting Supervisor, Production Electrician). chrisgagliardi.com.

*The Director is a Member of the Stage Directors and Choreographers Society, a national theatrical labor union.

























