News & Press

Brightest Young Things: Spring Awakening
It's easy to forget while living out the snug comforts of early adulthood what is was like to be fifteen. Just as by the time fall rolls around, we lose...
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Washingtonian: Spring Awakening
There’s something special about a show that reaches its satisfying climax as a bunch of teenagers jump around the stage, gamely singing, “Blah blah blah blah blah blah blah blah...
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ShowBizRadio: Spring Awakening
Keegan Theatre’s Spring Awakening is a worthy endeavor bolstered by an incredible male cast, top rate music and an artfully crafted century old story. The art of the language, at...
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Washington City Paper: Spring Awakening
They totally rocked it.
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PRESS RELEASE: Spring Awakening
With an electrifying score that swings from folk to rock, Spring Awakening follows the unforgettable journey of a group of students in late 19th century Germany as they move from...
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Helen Hayes Recommends: WORKING – A Musical
The Helen Hayes Awards has recommended Keegan’s production of WORKING - A Musical, now playing through May 13!
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WETA Around Town: WORKING – A Musical
Jane Horwitz and Trey Graham join host Robert Aubry Davis to discuss Working, A Musical at Keegan Theatre through May 13, 2012.
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Dupont Festival Presents: Keegan Theatre’s “Music in the Circle”
As part of the ongoing slate of Dupont Festival events, The Keegan Theatre will present a special performance, "Music in the Circle" on May 5, 2012 at the Dupont Circle...
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The Washington Post: WORKING – A Musical
Could there be a better moment to do “Working,” an audience-friendly revue of songs and monologues based on Studs Terkel’s 1974 book of interviews with American working folk?
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The Washington Examiner: WORKING – A Musical
When radio legend and oral historian Studs Terkel wrote the book "Working" in 1974, based on interviews he did with Americans of all social strata, it was hailed as a...
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DC Theatre Scene: WORKING – A Musical
When was the last time you saw a musical about regular working stiffs?
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MD Theatre Guide: WORKING – A Musical
It is always nice to see a production of a lesser known musical here in DC, particularly when two of its composers are Stephen Schwartz and James Taylor.
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