Iowa can seem such a mythical place. That crossed my mind as I took in the Keegan Theatre’s top-notch production of the bittersweet, mystical romance of The Bridges of Madison County. Sure, Bridges is sentimental in its outlook, but no more so than say the male-oriented movie Field of Dreams, also set in the cornfields of a mythical Iowa–a movie
The Keegan Theatre’s production of this swirling musical [The Bridges of Madison County] with music and lyrics by Jason Robert Brown and book by Marsha Norman is an aching exploration of the lives we lead, the loves we chose, and the bridges we cross. Leading the way as Francesca was the powerhouse Susan Derry. Despite her
Sometimes a show comes along on Broadway that leaves you saying, “Hmm I wonder what it would be like without the large scale production?” The 2014 Jason Robert Brown/Marsha Norman musical The Bridges of Madison County is one of those shows. DC’s Keegan Theatre’s venue is way more intimate than a Broadway theatre is so it is
“Bridges” can be ravishing, and the ace in this staging is Susan Derry, whose operatic soprano is exactly right for Francesca, the Italian war bride pining away in 1965 Iowa after 20 years of marriage. Derry is wonderful with Francesca’s anxieties when her family leaves for a state fair and a handsome National Geographic photographer shows
July 18, 2018: The Keegan Theatre closes out its 21st season with the Tony Award-winning musical THE BRIDGES OF MADISON COUNTY, opening on August 4, 2018. An acclaimed musical based on the best-selling novel, THE BRIDGES OF MADISON COUNTY was developed by the Pulitzer- and Tony Award-winning creative team of Jason Robert Brown (The Last Five
The old South and the new collide in the haunting and disconcertingly timely musical “Parade,” in a taut and spare production by Washington’s Keegan Theatre … a must-see.
The Keegan Theatre presents PARADE, the Tony Award-winning musical by acclaimed playwright Alfred Uhry and composer Jason Robert Brown about a miscarriage of justice in early 20th-century Georgia, when a Jewish outsider was wrongly accused of murder.
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