Washington City Paper

Washington City Paper Review: NOISES OFF
The entire premise of the theatrical arts is pretty silly when you take a step...
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Washington City Paper Review: THE ELEPHANT IN THE ROOM
Temperance. The Magician. The Moon. The Devil. One by one on her dressing room floor,...
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Washington City Paper Review: SWEAT
As season finishers go, you can do a lot worse than Sweat, which won Lynn...
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THE WILTING POINT by Graziella Jackson. Photo: Mike Kozemchak
Washington City Paper Review: THE WILTING POINT
In the second scene of Graziella Jackson’s new play, The Wilting Point, playing through April...
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PUSH THE BUTTON by Drew Anderson & Dwayne Lawson-Brown. Photo: Cameron Whitman Photography
Washington City Paper Review: PUSH THE BUTTON
Pop culture is so saturated with superheroes that even loving send-ups and critical deconstructions have...
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THE LIFESPAN OF A FACT by Jeremy Kareken, David Murrell, & Gordon Farrell. Photo: Cameron Whitman
Washington City Paper Review: THE LIFESPAN OF A FACT
It is a Wednesday at the offices of a prestigious, storied, and yet unnamed American...
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ELEGIES by William Finn. Photo: Cameron Whitman Photography
Washington City Paper Review: ELEGIES
Keegan Theatre’s Elegies is an elegant challenge to the genre of musical theater. William Finn...
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YOGA PLAY by Dipika Guha. Photo: Cameron Whitman
Washington City Paper Review: YOGA PLAY
Yoga Play [written by Calcutta-born Dipika Guha and published in 2017], which makes its regional...
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N by Adrienne Earle Pender. Photo: Cameron Whitman Photography
Washington City Paper Review: N
As playwright Adrienne Earle Pender’s N opens, Florence Howard (Lolita Marie) has just put her...
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Washington City Paper: THE CRUCIBLE
God gets a bad rap in most stagings of Arthur Miller’s The Crucible. The characters are...
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Washington City Paper on Basra Boy
Keegan Theatre’s One-Man Northern Irish Punk Rock War Story: "Basra Boy is a Belfast play...
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