Back by popular demand, The Keegan Theatre has revived its 2010 production of “Noises Off.” Commonly deemed, “the funniest farce ever written,” Michael Frayn’s “Noises Off” offers an exciting take on the play-within-a-play trope. The story follows an ambitious director and his subpar acting troupe on a mission to produce the sex comedy, “Nothing On.” The audience gets a behind-the-scenes look at three parts of a play’s process: dress rehearsal (Act One), backstage during the matinee performance (Act Two), and on stage during a ruined performance (Act Three). Somehow, if you can imagine, each act is funnier than the last.
Director Mark A. Rhea and his cast present a masterclass in strong, ensemble-based comedy. Each performer brought something unique to this hilarious romp. I would have to see the show four more times just to truly hone in on what each actor is doing (and I might). Sharing the talents of many Keegan regulars and newcomer Casi Demming (the sweet Poppy), it’s plain to see how Keegan has earned the reputation of producing some of the best shows in the DMV.
Standouts include Brigid Wallace Harper as the ditzy upstart actress Brooke, Gary DuBreuil as the sleep-deprived and frazzled stage manager Tim, Valerie Adams Rigsbee as the sweet but gossip-filled actress Belinda, and Ryan Sellers as the absolutely hilarious leading man Garry. In a show of smart and quick one-liners, Sellers physical comedy was unmatched as he transformed from a debonair leading man ‘on stage’ to a bumbling buffoon ‘off stage.’ His chemistry on the “Nothing On” stage with Harper was electric, resulting in nonstop hilarity. One thing is for sure: I’m excited to see what each ensemble member is in next. I wouldn’t be surprised if it requires an Amtrak ride up to Broadway.
Rhea has assembled a bona fide hit. While “Noises Off” needs a strong cast, the technical elements can make or break this show. The set designed by Matthew J. Keenan continued the show-within-a-show portrayal. Featuring a revolving stage, the set transformed in front of our very eyes to the “Nothing On” set, to the backstage area, to the set again. The little details of this production brought the theatrical magic to life, such as the stage crew donning “Nothing On” crew t-shirts (stage managed by Gabrielle Busch), and the superb properties and set dressing by Cindy Landrum Jacobs. If you love theatre, whether it’s being on stage or sitting in the audience, you’ll appreciate the technical excellence.
“Noises Off” at The Keegan Theatre is a do-not-miss — you don’t want to wait another 14 years to catch this show!
