Reviews

November 12, 2018November 12, 2018|Reviews

The Shakespeare reinvention game is at full throttle in Washington now ... so why not...

November 12, 2018November 12, 2018|Reviews

MD Theatre Guide: AS YOU LIKE IT

The Keegan Theatre’s production of Shaina Taub [and Laurie Woolery's] new musical adaptation of Shakespeare’s...

November 12, 2018November 12, 2018|Reviews

DC Theatre Scene: AS YOU LIKE IT

As the cast dances in the aisles of Keegan Theatre, it’s difficult not to catch...

November 12, 2018November 12, 2018|Reviews

BroadwayWorld: AS YOU LIKE IT

Keegan's production [of As You Like It] is not a traditional Shakespearean play, but instead...

October 5, 2018October 5, 2018|Reviews

Washington City Paper: LINCOLNESQUE

[In Lincolnesque,] playwright John Strand has crafted a well structured comedy about the conflict between democratic ideals that,...

September 27, 2018September 27, 2018|Reviews

DC Theatre Scene: LINCOLNESQUE

Lincolnesque is a look back at a man and a time and a look at the...

September 27, 2018September 27, 2018|Reviews

DC Metro Theater Arts: LINCOLNESQUE

In Lincolnesque, a play written by John Strand and directed by Colin Smith, the art of lying...

September 27, 2018September 27, 2018|Reviews

The Washington Post: LINCOLNESQUE

The widely lamented awfulness of right now is why the Dupont Circle troupe Keegan Theatre...

August 14, 2018August 14, 2018|Reviews

MD Theatre Guide: THE BRIDGES OF MADISON COUNTY

One thing leaps out right away at the Keegan Theatre’s production of “Bridges of Madison...

August 10, 2018August 10, 2018|Reviews

DC Metro Theater Arts: THE BRIDGES OF MADISON COUNTY

The Keegan Theatre’s production of this swirling musical [The Bridges of Madison County] with music and...

August 9, 2018August 9, 2018|Reviews

BroadwayWorld: THE BRIDGES OF MADISON COUNTY

Sometimes a show comes along on Broadway that leaves you saying, "Hmm I wonder what...

August 9, 2018August 9, 2018|Reviews

DC Theatre Scene: THE BRIDGES OF MADISON COUNTY

From Kurt Boehm’s direction and nuanced yet sure performances of the leads to Michael Innocenti’s...

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