It’s a notorious proverb of sorts, “it’s better to have loved and lost than never to have loved at all.” But how can you bear to love someone when you know you’ll eventually lose them? How does one resign themselves to inevitability? “Hundred Days” at The Keegan Theatre, a concert-style theatrical event (slightly reminiscent of “Once”), delves into this ubiquitous enigma of choosing connection not despite fear, but because of it.
Larger themes of “Hundred Days” are inspiring and joyous, especially when accompanied by energetic folk-rock, with a touch of stomp and clap (The Bengsons) coursing through the veins of this experience.
Music is the crux of the storytelling, redeeming the show where it otherwise lacks. Led by an extraordinary band, the fullness of the Bengsons arrangements reverberates pure, folk joy through the space. Impeccably dissonant harmonies and impressive belts round out the vocal additions.
The Bengsons are not played by the original real-life couple but rather by Kylie Clare Truby (Abigail) and Bradley Foster Smith (Shaun). Truby is a vocal powerhouse, bringing an exuberance to Abigail that lifts the tone of the piece while Smith’s dry wit counterbalances the couple. Rounding out the story is a compellingly talented band that weaves through the musical spectacular as additional characters. Accordion player Lydia Gifford brings an especially exceptional presence to her support.
The ambiance created for the romantic tale to unfold is particularly excellent. Josh Sticklin’s boho, folk artist’s dream of a set comes complete with nearly 50 lamps, a tapestry rug, and polaroids hanging from fairy lights. Alberto Segarra’s lighting design tells a story of its own, finding equilibrium between concert and theatrical experience. It is particularly magnificent when emulating camera flashes.
“Hundred Days” sets out to bend the norms of traditional musical theatre storytelling but in the process, it loses a bit of vital continuity and self-awareness. Nonetheless, its dynamically joyous score and gripping theme create a unique concert experience audiences will enjoy. In the intimate space at Keegan, “Hundred Days” is born anew.
